This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Big ol' bass from Marcus Miller – but also some sweet keyboards and great vocals too – all wrapped up in a set that's really got Miller at the height of his powers! Marcus wonderfully skirts the worlds of soul and fusion for the record – and mostly creates a tight groove on his ... CD
Sweet keyboards, R&B grooves, and a great blend of jazz and soul modes – all fused together to make the album one of Jeff Lorber's true classics from the 80s! Lorber's keyboards and programming provide the fusiony foil for the soulful vocals of Karyn White and Michael Jefferies on a ... CD
Bob Baldwin's looking back at some great music here – range of tracks pulled from albums of the past decade or so, with some surprising extra bits thrown in for good measure! The set's a perfect illustration of Baldwin's mighty keyboard powers – that groove that's smooth, but never too ... CD
One of the nicest moments from Milt Jackson in the 50s – an open-ended blowing session cut with Miles Davis, in a mode that's even better than Jackson's work for Savoy at the time! The style is very much in the key Davis mode on Prestige – with Jackie McLean in the group on alto sax, ... CD