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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
The first-ever LP issue of these groundbreaking late 30s performances from the great vibist – working with players who include Benny Carter and Johnny Hodges on alto, Vido Musso and Ben Webster on tenor, Lawrence Brown on trombone, and Cottie Williams on trumpet! LP, Vinyl record album
(80s issue, still sealed with a cutout notch, faint sticker spot, and small hole at the right side. Cover has lightly bent corners.)LP, Vinyl record album
One of the few albums to really get at the genius of the Lionel Hampton group at the height of their powers – their crowd-pleasing antics that were always a big draw for live audiences! This set catches Hamp and a great group at the Pasadena Civic Auditorium – playing on long tracks ... LP, Vinyl record album
One of these excellent early 50s albums that Hamp cut for Verve – most of which feature him like this, stretching out a lot more than in the early days, working with a small combo of top-line players that each get plenty of room to solo. Players include Buddy Rich, Oscar Peterson, Ray Brown, ... LP, Vinyl record album
Classic Norman Granz swing session, with Roy Eldridge on flugelhorn, Alvin Stoller on drums, and John Simmons on bass. Tatum's up front, with some good laidback solos. The LP has a number of short cuts "Night and Day", "This Can't Be Love", "I Won't Dance", and " ... LP, Vinyl record album
Four long tunes – "I Got Rhythm", "JATP Blues", "I Surrender Dear", and "Slow Drag" – played by a group that includes Charlie Parker, Coleman Hawkins, Irving Ashby, Willie Smith, and Lester Young. Classic work in the early Norman Granz mode ... LP, Vinyl record album
This is a volume of six songs recorded after the advent of the long playing record in an attempt to record the complete works of Art Tatum. The six song titles included are "Love For Sale", "Wrap Your Troubles In Dreams", "Louise", "Come Rain Or Come Shine", ... LP, Vinyl record album
The moods of Bud Powell are some plenty darn ones – corners of sound that few other players had explored at this point in time – served up here especially well in the album's gentler numbers, which almost seem like evil doppelgangers to some of the more rote cocktail piano of the 50s! ... LP, Vinyl record album
Stunning early work from Stan Getz – the kind of simple but breathtaking sides that he cut before any of his later fame – in a mode that made him one of the most inventive talents on the tenor sax! Stan's caught here right past the first flurry of initial time in the studio – ... LP, Vinyl record album
Sharp-edged tenor genius from Flip Phillips – and a great illustration of why he was one of the key early stars in Norman Granz' Verve empire! The tracks here are short but hard jamming – with equal contributions from players who include Charlie Shavers on trumpet, Oscar Peterson on ... LP, Vinyl record album
One of the really unique albums on Verve's "Special Series" of the early 50s – a set of tracks that mix modern orchestrations and jazz – written and conducted by Moore, and featuring Calvin Jackson as the lead soloist on piano! Side one features the extended "Concerto ... LP, Vinyl record album