This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Dionne Warwick may have made the title track a hit, but the tune stands as a great start for this classic 60s album from Carmen McRae – one of those superb gems from a time when the singer was really finding herself – and hitting this mature territory that gave her what she fully ... LP, Vinyl record album
Wonderful early work from Carmen McRae – a set of tunes originally composed by Noel Coward, served up by Carmen with a very hip 50s feel! The orchestrations here are by Jack Pleis, who really gets the mood right for the set – and shakes off some of the floweriness that could sometimes ... LP, Vinyl record album
An "after theater" version of the Richard Rogers musical No Strings – done in a cool way that really changes the feel of the music! The "cast" for the set is an assortment of Atlantic Records artists from the early 60s – Herbie Mann, Chris Connor, Lavern Baker, and ... LP, Vinyl record album
Pretty weird stuff from Shel Silverstein – best known for "A Boy Named Sue" and his trippy songs for kids, but working here in kind of a stoned-out, post-beatnik folksy mode. The songs all have Shel's wild wit and biting humor – and although many just feature Shel on vocals ... LP, Vinyl record album
A mature side by Bobby Darin - featuring him taking on some of the biggest Broadway tunes of his generation – and doing a pretty darn good job as well! Arrangements are by Shorty Rogers and Perry Botkin, both of whom bring a hip flair to the proceedings – a sound that's usually a fair ... LP, Vinyl record album
A very moody album from Chris Connor – one that features arrangements by Ronnie Ball and Jimmy Jones, on a somber set of songs that makes the album one of Chris' darkest for Atlantic! Most of the tunes are in small group settings – a bit tightly arranged, but in a good way that gives ... LP, Vinyl record album
Brilliant late work by Peggy Lee – following strongly on the heels of Is That All There Is, and done with a style that's even sadder, and more life-weary! The title cut – "Where Did They Go" – is simply amazing – the kind of boozy, regretful tune that never seemed ... LP, Vinyl record album
Beautifully icy vocals from the amazing Chris Connor – the kind of record that set a new standard for vocal jazz back in the 50s! The session's a small group one – with Chris singing intimately alongside backing from Herbie Mann on flute and tenor, Kai Winding and JJ Johnson on ... LP, Vinyl record album
One of Nina's greatest records – recorded with her cool combo that included Weldon Irvine! Weldon's on organ on the set, and he co-wrote the two-part track "Revolution" with Simone, one of the album's strongest numbers! That track is set amidst covers of other hip 60s material, ... LP, Vinyl record album