This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Bill Charlap plays the music of Hoagy Carmichael, accompanied by Peter Washington on bass and Kenny Washington on drums – plus guest spots from Tony Bennett, Shirley Horn, Jim Hall and Frank Wess! CD
Don't let the title fool you, as the album's hardly an "etcetera" – not some run-on work from Wayne Shorter, but a real lost cooker from his 60s Blue Note years! The record's got a very sharp-edged quartet sound – a bit modern and edgey at times, with sharp tenor lines from ... CD
A stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! There's a sharp edge here, but there's also a soulful ... CD
Produced by Booker T. Jones – with Earl Klugh on acoustic guitar, Greg Phillianganes on keyboards, Scott Edwards and Hubie Crawford on bass, and Gene Dunlop on drums. CD
Jazz organ explodes to the next level – on this brilliant and rare session by Larry Young from 1969! The record was Young's last recording for Blue Note, and was never issued at the time – only making a brief appearance in a short series at the end of the 70s – and its obscurity ... CD
A great quintet date – drummer Tony Williams leads a group with Wallace Roney on trumpet, Billy Pierce on tenor and soprano, Mulgrew Miller on piano, and Charnett Moffet on bass. Titles include "Angel Street", "Touch Me", "Red Mask", "Dreamland", and ... CD
Tremendous work by Lee Morgan – easily one of his greatest albums, and a soaring session of modal energy that easily rivals the best work of the Impulse era! The album's got a slightly different feel than usual for Blue Note – a sense of freedom, joy, and soaring energy that's totally ... CD
A brilliant album that proves that even at the height of his success, Lee Morgan was one of the freest thinkers on Blue Note – always coming up with fresh ideas that continued to grow his talents! The first cut on the album is keep roof of that fact – the title track "Search For ... CD
Features Tony Williams on drums, Wallace Roney on trumpet, Billy Pierce on soprano and tenor sax, Mulgrew Miller on piano, and Charnett Moffett on bass! CD
Lost genius from trumpeter Lee Morgan – a session recorded for Blue Note in 1967, but not issued until the late 70s – and even then, only for a very short time! The session has Morgan moving into that wonderful last stage of his career – working in tight formation towards a sound ... CD
Really great sounds from the legendary Denny Zeitlin – an entry in his series of electro-acoustic improvisations with drummer George Marsh – and a record that has Zeitlin on a range of keyboards and electronics, in addition to his more familiar acoustic piano! It's that instrument ... CD