This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
The first-ever release of a Bill Evans concert recorded at Ronnie Scotts in London – a place where he cut other work in other years, but maybe not at a level like this! The group is wonderful – Bill's budding relationship with the bassist Eddie Gomez, who was bringing a richness to the ... CD
Solo work by Bill Evans – recorded in 1968, at a time when he was increasingly exploring gentleness in his work! The album's quite haunting – done with no other musicians, no overdubs (as in other solo 60s albums) – just Evans alone at the keys, expressing himself with a somber ... CD
Wonderful late work by Evans – recorded in 1977, but not issued until after his death in 1980. The session benefits from the bass work of Eddie Gomez – rich, round, and warm – a perfect accompaniment for Evans' sometimes faltering piano work at the time – and a player that ... CD
A previously-unissued live date from Bill Evans – recorded in Copenhagen right at the end of the 60s, in a very hip trio that features Eddie Gomez on bass and Marty Morell on drums! There seems to be a bit more force than usual in Bill's left hand – a pulse that comes through nicely on ... CD
Saxophonist Bill Evans plays with Manolo Badrena, Hiram Bullock, Clifford Carter, Mark Egan, Mitchel Forman, Al Foster, Jeff Golub, Danny Gottlieb, Chuck Loeb, Sid McGinnis, John McLaughlan, Marcus Miller, and Lew Soloff. CD
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his ... CD
Bill Evans on paino, Michael Moore on bass, and Philly Joe Jones on drums. Tracks include "Gary's Theme", "Emily", "The Peacocks", "How My Heart Sings", "Song From M*A*S*H", and "Re: Person I Knew". CD
Thelonious Monk on piano – notable sidemen include Joe Gordon on trumpet, Charlie Rouse, Harold Land, and Johnny Griffin on tenor saxophone, Ahmed Abdul-Malik, John Ore, and Sam Jones on bass, and Art Blakey, Art Taylor, Billy Higgins, and Frankie Dunlop on drums. CD
A hip later date from JJ – cut with a group that features Tommy Flanagan on piano and keyboards, Ron Carter on bass, and Billy Higgins on drums – plus a bit of tenor from Joe Henderson and trumpet from Oscar Brashear! CD