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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the great gospelly soul albums on Capitol from the late 60's, with excellent production by David Axelrod, and super arrangements by the great H.B. Barnum – both of whom treat the record like it's one of their excellent sides with Lou Rawls! Tracks include "Feelin' Good", ... LP, Vinyl record album
Kickin it is – as the album's way more than just the typical gospel you might expect – and is a perfect example of the way the Mighty Clouds Of Joy helped cross the bridge between secular and spiritual sounds in the 70s! The record has a groove that most other mainstream soul acts ... LP, Vinyl record album
Albert King hardly has to make the statement in the title – as the record's plenty funky throughout, and has that great mix of blues with hipper 70s styles that you'd find in his best material for Stax Records! King's at the core, both on vocals and guitar – but the set also features ... LP, Vinyl record album