This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A very different record than the first collaboration between Stan Getz & Joao Gilberto – but that's also one of the things that makes it great! The album's more of a split LP than a shared one – as side one features a live performance from the great mid 60s Stan Getz quartet that ... CD
A classic west coast recording by Stan – recorded at the Shrine Theater in LA in '54, with a group that includes Bob Brookmeyer on trombone and John Williams on piano! The groove is more similar to Stan's eastern sides of the time, given his bandmates here – but the sound is still ... CD
Although he was the consummate high-class hipster at the start of his career, for some reason Jimmy Smith seemed to hit a forced sort of rootsy style about halfway through his years at Verve. The style worked well for him, even if it sometimes languished in bluesy tones that seemed a bit forced ... CD
A beautiful dreamy album that's quite different from the classic Getz/Gilberto collaboration – but which also shares much of that set's lyrical beauty! This album was recorded live, in 1964, when Stan Getz was playing with his quartet that included Gary Burton on vibes – an incredible ... CD
About as classic as you can get for Ben Webster on Verve Records – a nicely mature, nicely laidback session that really captures the energy promised in the title! The sidemen are all in an easygoing, soulful mode – Oscar Peterson on piano, Herb Ellis on guitar, Ray Brown on bass, and ... CD
Charlie Haden's ode to the silver screen, Raymond Chandler, and 1940s Hollywood – with help from Ernie Watts on tenor, Alan Broadbent on piano, and Lawrence Marable on drums – plus vocals from Jo Stafford, Jeri Southern, and Billie Holiday. CD
Charlie Haden on bass, Paul Motian on drums, and Paul Bley on piano – recorded live at the Montreal Jazz Festival. Tracks include "Ida Lupino", "Crossroads", "New Beginning", "So Far So Good", and "Turnaround/When Will The Blues Leave?". CD
A nice little set by Sonny Stitt and Zoot Sims – recorded in Chicago after the two had played together at the Plugged Nickel in the Windy City! Backing is by the trio of pianist John Young – who gives the album a rolling bottom groove that shows off the Chicago sound of the early 60s ... CD