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We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
One of the greatest 60s recordings from the Wynton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years and the Kelly Trio is in perfect form – ... CD
A classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Clearly, someone at Verve thought that Stan should get in on the bug for west coast jazz at the time – and although the date was ... CD
Classic work by one of the biggest players of the early Verve years – the incredible Flip Phillips, a very swinging tenor player! The album's got Flip working with small and medium sized bandst, with players that include Bill Harris, Billy Bauer, Harry Edison, and Hank Jones. Tracks are ... CD
A classic west coast recording by Stan – recorded at the Shrine Theater in LA in '54, with a group that includes Bob Brookmeyer on trombone and John Williams on piano! The groove is more similar to Stan's eastern sides of the time, given his bandmates here – but the sound is still ... CD
A beautiful session that was Lester Young's last-ever recording! The session was cut in Paris in 1959, and features the rhythm section of the famous Blue Note club, home to many American expatriots in France at the time. Kenny Clarke plays drums, Jamil Nasser plays bass, Rene Utreger is on piano, ... CD
A gem of a record from this South African pianist and reedman! Features guest appearances by Pharoah Sanders and Joe Henderson on tenor, Abbey Lincoln on vocals, and Elvin Jones on ... CD
A classic from Wes Montgomery – and exactly the kind of record that made him a legend in the 60s! The set's one of Wes' collaborations with arranger Claus Ogerman – a key talent who was really on the rise at the time, and who understood how to perfectly balance Montgomery's unique ... CD
A really wonderful album in the Verve Records catalog of the 60s – a set that's not only a fantastic meeting between two superstar jazz musicians, with Jimmy Smith on Hammond and Wes Montgomery on guitar – but one that also takes things in a whole groovy new dimension, thanks to the ... CD
An amazing convergence of talents – one that took place in 1959, for Verve Records, and which featured work by some of the greatest modernists of the late 50s! The CD features work from 2 different Verve albums – Lee Konitz Meets Jimmy Giuffre and You & Lee – both of which ... CD
A really great idea for a jazz session – one that takes the already-great Blue Note piano trio the Three Sounds, and uses them as a backup combo for the tenor of the great Stanley Turrentine! The approach is different than some of Stan's other work – given the piano of Gene Harris, ... CD