This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A rare little straight ahead set from Cal – not nearly as Latin as some of his other sides for Fantasy at the time, and done in a gently grooving way that's mighty nice! The group's a quartet (in case you couldn't guess from the title!) – with Gerald Wiggins on piano, Eugene Wright on ... CD
2 generations of work from vibist Cal Tjader – a session recorded in the 50s, and a session from the 70s – back to back on a single CD! First up is the landmark Cal Tjader Trio album from 1951 – one of Cal's first dates ever, and a sublime little set with piano from Vince ... CD
Sonny Stitt makes Oscar Peterson sit up and groove! The record's a great one, and uses the Peterson Trio as a perfect rhythm section for Sonny's confidently blown solos of the late 50s – in a way that pushes the combo past their usual safe area, and into more freewheeling territory to keep ... CD
Sonny Stitt makes Oscar Peterson sit up and groove! The record's a great one, and uses the Peterson Trio as a perfect rhythm section for Sonny's confidently blown solos of the late 50s – in a way that pushes the combo past their usual safe area, and into more freewheeling territory to keep ... CD
A dream of a record from Gary McFarland – lightly jazzy instrumentals with a warm bossa nova undercurrent! The style is incredible – a sweet blend of vibes, guitar, and even some light whistling – often also featuring wordless jazz vocals – scatting along with the groove in ... CD
With Bradley Jones on electric bass, Al McDowell on electric bass, Chris Rosenberg and Ken Wessel on guitar, Dave Bryant on keyboards, Denardo Coleman on drums, and Badal Roy on tabla. CD
An expanded version of the first album to carry the Jazz At The Philharmonic formula into the studio – and a record that virtually coined the term "jam session" for 50s jazz! Norman Granz repeats the style he'd done so well in a live setting – and brings together a host of ... CD
A really cool 60s session from the great Chet Baker – one that moves away from the standard sound of his 50s work, and shows that unusual sense of careful sonic energy that would mark his further development over the decades! Chet's got a great sound here – blowing flugelhorn instead ... CD
Maynard Ferguson's blowing full steam ahead here – working with an octet that's heavy on horn parts, but in a richly creative way! Ferguson nicely shows off some of his best influences from the 50s large group scene in LA – and gets some key help on the record from Bill Holman, who ... CD
The great bassist Ray Brown proves that any instrument can swing – here picking up a cello, and grooving wonderfully in a very warm setting! The album features arrangements by Russ Garcia – slightly modern, and with lots of space, so that Ray can play both bass and cello with room to ... CD
A rare and unusual chapter in the career of Al Cohn – and an incredible set cut in the mid 50s with Bob Brookmeyer on trombone! The style's a bit like that used by Al and Zoot Sims together – tightly arranged shorter tracks, with a focus on well-crafted horn work, but enough space to ... CD