This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a ... CD
One of Roland Kirk's moodiest albums – and a record that really helped him find a big new audience in the 60s! The approach here is a bit different than some of Kirk's more bombastic jazz albums from previous years – gentle, and almost spiritual at times – thanks to heavy use of ... CD
With Trummy Young on trombone, Dave McRae on clarinet, Billy Kyle on piano, George Barnes on guitar, Mort Herbert on bass, Barrett Deems on drums, and Nickie Tagg on organ; with choir directed by Sy Oliver. CD
Features Jon Faddis, Lew Soloff, Freddie Hubbard, and Nicholas Payton on trumpets – plus Chick Corea on piano, Christian McBride on bass, and Al Foster, Joe Chambers and Lewis Nash on drums. CD
An unlikely pairing – but that's what makes the record so great! Mulligan and Hodges come together in this rare Verve set from the late 50s – an inspired combination of talents that really work some magic together. Hodges' tone is in the lead in our ears, always wonderful, especially ... CD
One of the best albums that Al Cohn and Zoot Sims ever cut together – and that's saying a lot, given the strength of their collaborations during the 50s and 60s! The set's got a nice small group feeling, and is a bit more open and relaxed than some of their RCA material – still in the ... CD
Count Basie on guitar, Charlie Fowlkes, Frank Foster, Frank Wess, and Marshall Royal on saxophone, Al Grey, Benny Powell, and Henry Coker on trombone, Joe Newman, Snooky Young, Thad Jones, and Wendell Culley on trumpet, Freddie Green on guitar, Eddie Jones on bass, and Sonny Payne on drums. CD
The layers here come from the wonderful interplay between the guitar of Julian Lage and his trio members Jorge Roeder on bass and Dave King on drums – both musicians who lay back nicely, and find a way to resonate with those trademark chromatic notes that Lage seems to spin out effortlessly! ... CD