This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
It certainly was time – time for Jackie McLean to break out of his older bop mode, and hit a whole new level of playing with a tight group of "new thing" compatriots like Herbie Hancock on piano, Cecil McBee on bass, and Charles Tolliver on trumpet! The record isn't as totally ... CD
A sweet little quartet from Jackie McLean – a later entry into his bop-level sets for Blue Note, recorded right before his "new thing" years! The album never got a proper release back in the 60s, and only first saw the light of day two decades later – but it's a real cooker ... CD
A young Jackie McLean at the height of his powers – really stretching out here, but never going too far out – a perfect balance between his modern bop of previous records, and his groundbreaking "new thing" jazz to come! The group is a relatively straight ahead one – ... CD
A very nice recent album by Jackie, featuring a stripped-down lineup that includes Cedar Walton on piano and Billy Higgins on drums, joining Jackie in a haunting set of mellow ballads. After years of playing, Jackie's tone is impeccable, and it's great to hear him work through a set of standards ... CD
A real classic by Jackie McLean – a record that's pulled from 2 different sessions, but which stands out with a strikingly unified feel! The album was cut during the height of Jackie's bop years for Blue Note – with one 1959 session that featured Donald Byrd and Sonny Clark, and ... CD
One of the hippest sets that Duke Pearson ever recorded – and an all-out Blue Note soul jazz set that's even better than Pearson's classic Sweet Honey Bee! Duke's style is deeper and more farther-reaching here – with echoes of styles used at the time by Hank Mobley and Lee Morgan ... CD
Great early work by the Three Sounds, before they'd lapsed a bit too much into their formulaic trio style on Blue Note – and when they were adding some excellent little flourishes to the music to distinguish themselves from the rest of the crowd. Drummer Bill Dowdy's in great shape here, ... CD
A real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section ... CD