This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A really unique little session from Jackie McLean – and one of the few 50s jazz albums to feature the talents of tuba player Ray Draper, a vastly under-rated artist who recorded briefly with McLean and Coltrane at the time! Although the tuba might seem like a heavy instrument to bring into ... CD
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... CD
Early genius from Jackie McLean – arguably his best pre-Blue Note album, and a sinister batch of hardbop tracks recorded with a great group that includes Donald Byrd on trumpet and Elmo Hope on piano! The tracks are long, with a bit of the "blowing session" feel of other Prestige ... CD
An unusual title, but one that refers to Jackie McLean in quartet, quintet, and sextet formation – a growing lineup that develops along the course of the record, as new players are added into the mix with a casual, almost blowing session approach! The set begins with Jackie's alto set out in ... CD
One of Jackie McLean's last "new thing" albums for Blue Note – and a very unique record that features Ornette Coleman on trumpet! The sound here is stark and hard – slight hints of the soulfulness that the "gospel" in the title might imply, mixed with the angular ... CD
A beautiful illustration of the strength of Ron Carter as a leader – that way he has of firmly directing a combo from the place of the bass, yet always in a subtle way that never overpowers the rest of the group! The balance here is wonderful – as Ron's tones really come through ... CD
An amazing transformation in jazz – the first 6 albums by Texas tenor giant Curtis Amy, packaged together in one box set! Amy had a deep gutsy sound that was similar to other Texas tenors coming out of the state during the postwar years – and initially, his first recordings in LA were ... CD
With Jerry Gonzalez, Robin Eubanks, Kenny Barron, Wayne Dockery, Ronnie Burrage, Billy Hart and Steve Berrios. 9 numbers in all, including "Mind Games", "Laying It Down", "Awakening", "A Swing Touch", "Never Again Is Such A Long Time", "It Ain' ... CD
One of the greatest albums ever for Blue Note – and the only album recorded by tenor player Tina Brooks that was issued during his lifetime! The album's nearly perfect – and features Brooks' edgey tenor set in an all star group that includes Duke Jordan on piano, Freddie Hubbard on ... CD