This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of Tyner's great searching mid 70s sides. This is the sort of record we used to take for granted from coming across it often enough to ignore it, but once we dropped the needle, we find ourselves returning to it often. Featuring a quintet with then younger progressive players like Azar ... CD
Classic 50s west coast Latin grooves – played by Cal Tjader and a tasty Bay Area combo that includes Benny Velarde on timbales and conga, Manuel Duran on piano, and Carlos Duran on bass! The tracks are short, but have a tight group feel – really driving in a nicely rhythmic mode, with ... CD
The title gets it right on this one – as the set's one of Cal's greatest straight jazz albums of the early years – done in a harder, and more soulful mode than some of his Latin-based sets from the time! The album features 2 different groups, both of them great – a main quintet ... CD
Excellent 50s Latin work from Cal Tjader – and a set that boasts some especially nice tenor from the legendary Brew Moore! Moore's sound here anchors the date nicely – bringing in a bit more of a bottom sound than usual for a Cal Tjader Latin date – really rooting the record with ... CD
A career spanning collection featuring work with Cal Tjader, Paul Desmond, Christian McBride, and others. Tracks include "The Way You Look Tonight", "Koto Song", "Here Comes McBride", "Sweet Georgia Brown", "Laura", "Singin' In The Rain", ... CD
A classic album from Dave – recorded at Oberlin College, the mid-Ohio haven of bohemiana, and a growing hotbed of jazz activity centered around students in the college's conservatory of music. Dave and crew made the trip at the request of the kids – breaking from their mostly San ... CD
Posthumous issue of an early 50s live set by Charlier Parker – one of the many that were rushed to the public in the years after his early death. The set, like many of the other live ones from the time, isn't recorded that well – but the music is still pretty wonderful. There's a real ... CD
Great lean grooves from vibist Red Norvo – exactly the kind or record that shows why he was such an amazing talent on his instrument in the 50s! The album has Red working without piano or drums – just the guitar of Jimmy Raney and bass of Red Mitchell – both players who are ... CD
Martino plays in a 2-guitar quartet – with Bobby Rose backing him up on guitar, plus rhythm accompaniment by Richard Davis and Billy Higgins. The sound's definitely in the trippier, post-hippie style of Martino's work, with a sort of looseness and fluidity that you either love or hate, but a ... CD