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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great little 70s album by George Benson – and kind of a sleeper amidst the bigger hits of his CTI work! The record's a nicely stripped-down affair, with arrangements by Don Sebesky that don't ever really get in the way of Benson's guitar, and instead provid a perfect platform for him to ... LP, Vinyl record album
A hard-jamming bit of jazz rock – with lots of free solo work on alto and soprano sax by Ron Aspery, and a pretty strong power-trio instrumental format from Tony Hicks on drums and Colin Hodgkinson on bass. The album's more jamming than it is funky, but there's some pretty great playing on ... LP, Vinyl record album
Gloria Coleman was one in a long line of swingin' female organists, and is probably closer in that lineage to Trudy Pitts than to more straight jazz players like Shirley Scott. This LP has her doing organ and vocal stuff alongside an ensemble of guitar, tenor, and trombone. There's funky stuff ... LP, Vinyl record album