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Guitar/Guitar
LP (Item 494266) Columbia, 1964 — Condition: Near Mint-
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A nice early set from jazz guitar greats Herb Ellis and Charlie Byrd – who would work together much more frequently in the years to come – but sharing a rare early 60s joint set on 1964's Guitar/Guitar! This is one of the earliest, if not the earliest pairings on record for these guys as a joint effort – and it's a really warm, engaging blend of Byrd's finger style acoustic playing and Ellis's clean electric eclecticism. The run through some nice jazzy blues and west coast breezy modes, a little bit of bossa, a touch of Chet Atkins style twang, and more – all of it pretty laidback and charming! Titles include "Se Todos Fossem Iquais A Voce", "Chung King", "Carolina In The Morning", "Three Quarter Blues", "Take Care Of Yourself", "Jazz 'N' Samba", "Oh, Lady Be Good", "Things Ain't What They Used To Be", "A Hundred Years From Today", "and "Bluesette". © 1996-2024, Dusty Groove, Inc.
(360 Sound stereo pressing with black text. Cover has light wear and some yellowing from age.)
(360 Sound stereo pressing with black text. Cover has light wear and some yellowing from age.)
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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