This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Features Onaje Allan Gumbs on piano and and synth – plus studio tracks with Joe Sample and Patrice Rushen on piano, Harvey Mason on drums, and guest tenor from Eddie Harris. Tracks include "Softly At Sunrise", "Georgia On My Mind", "Too Cool", "Georgia On ... CD
A great little Sonny Stitt album – very different than any of his other sets from the 60s! The album has a number of interesting aspects – from hard-wailing organ by Wilmer Mosby (who we think is Don Patterson under a fake name), to some screaming guest work by Rufus Harley and Robin ... CD
One of the last studio albums with Lester Bowie – Coming Home Jamaica features Bowie on trumpet, Rosco Mitchell on reeds, Malachi Favors on bass, Famadou Don Moye on percussion, and the entire group on percussion and little instruments. CD
2 of Les' funky albums for Atlantic from the mid 70s – out again on reissue in their full electric glory! The records are a good example of how Les moved from being a mostly instrumental artist, and transformed himself into a funky soul singer for most of the 70s. The tracks have a warm ... CD
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the ... CD
A really nice surprise from guitarist Mike Stern – a set that definitely delivers the standards promised in the title, and also creates a new sort of classic sound for Stern's guitar! Mike still plays with some chromatic modes that have that wider, arier sound of the guitar – but other ... CD
Wonderful wonderful wonderful work from the legendary John Coltrane – and even though it's probably one of his best-selling albums of all time, it's still a treasure – and has an essential place in just about any jazz collection! We've heard the original title version of "My ... CD
The famous fusion combo hits the 80s with a mighty sweet sound – a style that adapts some of their older electric modes of the previous years with a slight shift in instrumentation and groove! All the core elements are still very much in place – especially the work on reeds and keys by ... CD
The extremely successful union of two of Atlantic's biggest funky jazz stars, caught live in Switzerland, with the amazing Benny Bailey sitting in on trumpet. The tracks are long and funky, and are virtually a blueprint for pop soul jazz playing of the time – mixing slinky rhythms with some ... CD
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics ... CD