CD, LP, Vinyl record album cover art
View larger image       Image note

Chapters & Phases – The Complete Albums 1973 to 1975 (Chapter One/Phase II)

CD (Item 493969) Rev-Ola (UK), 1973/1975 — Condition: New Copy
Out Of Stock

CD


4.60 32

One of the hippest groups of the Nigerian scene of the 70s – presented here in two classic albums, back to back on a single CD! Chapter One is a landmark set of African grooves – very unusual in both conception and execution – with a feel that's unlike anything we can think of! There's definitely a rock influence in the set, but the music isn't rock at all – it's a very dark, almost dubby groove at points – and a bit more straightforwardly funk at others – almost a post-colonial style that clearly comes from a London influence, given to the group by a previous association with Ginger Baker. Rhythms are quite tight, and the bass is as strong as the drums – mixed up nicely with riffing guitar, and moody vocals that color the whole thing nicely. Titles include "Preacherman", "Time To Face The Sun", "We Are Out Together", "Chant To Mother Earth", "Miss Sagitt", "Beware", and "We Gonna Have A Party". Phase II is a critical next step for the group – music that's even deeper than before, but a bit funkier too! There's clearly some touches here of other African funk of the time – especially in the way the guitar parts groove with the rhythms – although those heavy Blo basslines from before are still nicely in place, as are some of the fuzzier production elements too. Titles include "Whole Lot Of Sh*t", "Atide", "Blo", "It's Gonna Be A Good Day", "Native Doctor", and "Don't Take Her Away From Me".  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested in


CD, LP, Vinyl record album cover art
Life In Music
El (UK), Late 50s/Early 60s. New Copy 2 CDs
Not the whole life of Ravi Shankar in music – and instead, a really cool concentration of work from one of his greatest periods ever – that magical late 50s/early 60s moment when he was completely transforming the sound of Indian music, and beginning to have an influence on the wider ... CD
CD, LP, Vinyl record album cover art
Psychedelic India
El (UK), Late 50s/1960s. New Copy
Classic ragas from Ravi Shankar, Ali Akbar Kahn and Ustad Amir Khan on this compilation from El UK! The earlier material on Psychedelic India predates the psychedelic rock movement by nearly a decade, but the trance inducing sitar atmosphere is obviously an important precursor, and always amazing ... CD
CD, LP, Vinyl record album cover art
Pat Thomas & Kwashibu Area Band
Strut (UK), 2015. New Copy
Incredible work from Ghanaian singer Pat Thomas & his Kwashibu Area Band – plus guests that include Afro Soul legend Tony Allen on drums! The foremost talent on display here is Pat Thomas, of course, and his voice is resonantly soulful and stirring all the way – he's amazing! ... CD
CD, LP, Vinyl record album cover art
Soul Jazz (UK), Late 50s/Early 60s. New Copy 2 CDs
A way cooler set of music than you might expect – not the kind of overdone Caribbean cliches of the mainstream, but some really great lesser-known gems that mix together sounds and styles from Cuba to Haiti, to Jamaica, and beyond – served up here in a host of gems all hand-picked by ... CD
CD, LP, Vinyl record album cover art
Kamuran Akkor
Pharaway Sounds (Spain), Early 70s. New Copy
One of the coolest Turkish singers we've heard so far from the 70s – an artist who's maybe a bit more funky and a bit less fuzzy than some of her contemporaries – blessed with a heavenly vocal style that's often set to these very groovy arrangements! The language is beyond the reach of ... CD
CD, LP, Vinyl record album cover art
Soundway, 2014. New Copy
Music from planet earth – but a special side of the planet that's under the sway of Soundway Records – who've been creating some really great music of their own in recent years! Soundway is a label we mostly know for reissues of older Afro Funk – but they've also moved into a ... CD
CD, LP, Vinyl record album cover art
Bombay Connection (Netherlands), Late 70s/Early 80s. New Copy
The incredible first volume in one of the best series we've ever seen for Bollywood film music – served up not only with great rare tracks throughout, but also a wealth of notes and images as well! As the title implies, this one's all about the funk – and tracks are pulled from a great ... CD
CD, LP, Vinyl record album cover art
Tche Belew
Awesome Tapes From Africa, 1977. New Copy
An amazing organ player from the Ethiopian scene – one whose work here easily rivals that of Mulatu and some of the best artists on the Ethiopiques series! Hailu Mergi has plenty of jazz in his approach – not just on his own keyboard lines, but also in the way he lets the group members ... CD
CD, LP, Vinyl record album cover art
Soundway (UK), 1960s/Early 70s. New Copy
A sprawling set of tropical grooves from Panama, and the third in the series from Soundway – compiled by Roberto Gyemant and Miles Cleret, with a little help for this set from Will Holland, aka Quantic – as soulful and brilliant as it is essential! These rare recordings blend cultural ... CD
CD, LP, Vinyl record album cover art
Soundway (UK), 1970s. New Copy
An explosive entry in Soundway's impeccable Nigeria Special series of rare Afrobeat – digging deep for for material that's largely been lost for years and years – many recorded in the wake of the Fela revolution and all of it exciting and essential! Of all the stellar tracks on the ... CD
CD, LP, Vinyl record album cover art
Omnivore, Late 60s/Early 70s. New Copy
A short but great legacy in soul music – served up here in a handful of recordings done for Atlantic Records and Warner's Loma label at the end of the 60s – most of which have never been released before! Singer Carl Hall is an artist that most people know from his work on the musical ... CD
CD, LP, Vinyl record album cover art
Polydor/Raven (Australia), 1970s. New Copy 2CD
A trio of Roy Ayers classics in one sweet set – along with some excellent bonus cuts too! First up is the album You Send Me – a set with a sound like no other – with a slow mellow jazzy style that shows Roy working at the height of his powers! There's some wonderful spacey ... CD
 



⇑ Top