A really rich second album from Ripple – a group who took awhile to return to the studio, but really developed a lot in the process! The combo started out as a straight funk act – but here, they really take off with a tight approach to their instrumentation – razor-sharp work on guitar, keyboards, bass, and percussion – soaring off into the clouds with energy that more than matches the image on the cover! Given their Atlanta roots, there's a vibe here that's a bit like some of the best Tommy Stewart material of the time – and Floyd Smith produces the group on the record, really finding a great way to blend everything together, but without ever losing an edge! Titles include the club classic "The Beat Goes On and On" – plus "Sons of The Gods", "Do What You Wanna Do", "Here I Stand", "Call Me Traveling Man", and "Victorious". (White label promo. Cover has heavy wear and a promo sticker.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.