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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
They got the title right on this one – because with Johnny Griffin, Sahib Shihab, Karl Drewo, and Eddie Lockjaw Davis as main soloists on the record, the sax never ends! The album's easily one of the most hard-burning 60s sessions from the legendary Clarke-Boland Big Band – and has ... LP, Vinyl record album
Tremendous live work from Dizzy Gillespie – and one of his few big band sessions from the time! The album has Dizzy recreating his bigger group sound of the 50s – but with a groove that's much more lively, open, and swinging – very much in keeping with the MPS big band style of ... LP, Vinyl record album
A very cool project from Karl Berger – a set that features two different groups, both hip – one with Don Cherry on pocket trumpet, Tom Cora on cello, George Lewis on trombone, and Leroy Jenkins on violin – the other with Oliver Lake and Don Davis on alto and flute, Lee Konitz on ... LP, Vinyl record album
A fantastic album that brings together all of the European winners of the recent Downbeat polls – like Karin Krog, John Surman, Albert Mangelsdorff, Francy Boland, Daniel Humair, and Niels Henning Orsted-Pedersen. The sextet is a lively batch of free-swinging European jazz stylists, with ... LP, Vinyl record album
A well-conceived session that brings together 4 extremely different styles of altoists – the icy Lee Konitz, the freewheeling Phil Woods, the soulful Pony Poindexter, and the rhythmic Leo Wright – all backed by a hiply swinging modern rhythm section that includes Steve Kuhn on piano, ... LP, Vinyl record album
A rare meeting of these two American giants of the tenor sax – brought together at the end of the 60s in Europe, both recording late in their careers, but with a laidback and open approach that's really wonderful! The format here is quite loose – a bit like some of the late hours, ... LP, Vinyl record album
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record ... LP, Vinyl record album
Sweet Latin licks from Clark Terry and Chico O'Farrill – cut in a mode that's very similar to O'Farrill's best Verve work of the 60s! The vibe is kind of a mod take on Afro Cuban sounds – not really Latin soul, but with a playful vibe that mixes together jazz and Latin with equal parts ... LP, Vinyl record album
Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time! If you only know the later, famous ... LP, Vinyl record album
An obscure Verve session from the 60s – one that features Atlanta pianist Paul Mitchell, who's trio was the starring act in that city's Playboy club! Mitchells' a compelling player, in that he doesn't go for an easy soul jazz groove – but instead mixes in a fair bit of sophisticated, ... LP, Vinyl record album