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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
The title's a bit hokey, and the cover is too – but the record's a really great batch of tenor, organ, and guitar lines – served up with guitarist Randy Johnston at the helm, and featuring great contributions from Eric Alexander and Joey DeFrancesco! Drummer Mickey Roker completes the ... CD
We never tire of the saxophone work of Sonny Criss – and this mid 70s gem is a perfect example of his brilliance! Sonny's sound on alto here is completely his own – raspily, soulful style that's really unique – and which draws strongly from Criss' rich life experience, including ... CD
Mellower than some of Dave's MPS records – with not as much psychedelic playing, but still some great jazzy grooves, laid out in a nice electric vein! The lineup includes vibes, electric piano, art, tenor, and guitar – and the best tracks have a dancing modal mode that shows that Pike ... CD
A nice little album of soul jazz organ tracks by McDuff, and proof that he was always still burning strong! Unlike other Hammond players, who got a bit sloppy in later years, McDuff always kept things interesting, and managed to come up with some creative arrangements and soulful solos that pushed ... CD
Melba Moore makes a key guest appearance here – only singing on 4 of the album's 12 tracks, but really helping pianist Lafayette Harris expand his sound strongly! The core sound of the record comes from Harris' trio – a tight ensemble with Dwayne Dolphin on bass, and Cecil Brooks III ... CD
Ricky Ford's always a favorite of ours – and on this cooking little set, he matches horns wonderfully with tenorist Antoine Roney! Put aside any worries you might have about the Sonny Rollins-like title – or of the album being one of those twin-tenor albums that always ends up half the ... CD
An excellent bop side that finds Stitt and his sidemen still at the top of their game, despite the fact that the date was rather late in many of their careers. While others were exploring electric jazz, Stitt, Joe Newman, Duke Jordan, Sam Jones and Roy Brooks, lay out six sides of crisp hard bop: ... CD