This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
One of the few standout 70s sessions by Ornette Coleman – a wonderfully rhythmic record that shows Ornette's expanding musical vision at the time! Most of the record is dominated by the guitar-heavy "Theme From A Symphony" – a very harmelodic number that takes up all of side ... CD
Charles Lloyd/Cedar Walton/Buster Williams/Billy H
Hip soulful work from organist Shirley Scott – one of the first records that has her breaking out of the straighter soul jazz sound of her work on Prestige and Impulse – and a gem of a set that features some great funky arrangements from the great Marty Sheller! The group's all-Atlantic ... CD
A stone classic from Roland Kirk – and a record that beautifully balances his modern ideas and playful energy – as you might guess from the title! While posing as the "whistleman", Roland's also pushing the boundaries of jazz a few steps forward too – not just in modern ... CD
A wonderful little record – a real standout in both the careers of Milt Jackson and Coleman Hawkins! The album captures Hawk during his great later years – that time when his sound was even more soulful and inventive than ever – with lots of odd modern undercurrents that really ... CD
Groovy 20 track "best of" CD compiling tracks from his Atlantic recordings of the late 60's and early 70's, with loads of his usual cool hipster jazz vocals and New Orleans piano playing. Cuts include "Seventh Son", "Swingin' Machine", "Your Mind Is On ... CD
A double-length live set from the legendary Modern Jazz Quartet – recorded in Scandinavia in 1960, almost as a summation of the group's growing genius in the 50s! The tunes are a mix of John Lewis and Milt Jackson originals, plus other songs all given the wonderful MJQ twist – ... CD
It's a bit too far into the 80s for Bobby to sound as great as he did on his earlier Capitol albums – with keyboards that are a bit stiff, and not enough acoustic playing next to the electric, in order to give the album a bit of heart. There's some decent enough numbers in a smooth jazz mode ... CD
2 Atlantic gems from Eddie Harris – back to back in a 2CD set! Come On Down is a really great little set that has Eddie's Chicago tenor linking up with the growing Miami soul scene of the early 70s – as Eddie "comes on down" to the Sunshine State, and records for Atlantic at ... CD
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... CD