This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
Includes the songs "Cool Eyes", "Shirl", "Camouflage", "Enchantment", "Senor Blues", "Senor Blues (45 version)", "Virgo", "For Heaven's Sake", "Tippin", and "Senor Blues (vocal version)". CD
A beautiful, beautiful record from Horace Silver – one of his great 70s experiments for Blue Note – and a set that has him working in the same "jazz with voices" mode explored by Max Roach and Donald Byrd in earlier years! The core of the set is focused around the great work ... CD
Killer early work from Horace Silver – and a rare non-Blue Note session from the 50s! The album's Horace's only date for Columbia, and it's got a feel that's similar to some of the Jazz Messengers' hardbop recordings for the label at the time – cooking with a soulful intensity at the ... CD
A bit less well-known than some of the real Horace Silver classics on Blue Note – but an incredible record that shows the Silver Quintet at all its lyrical best! The record is a masterpiece of original voicings from Horace – not just in the unique tunes he penned for the set, but also ... CD
An incredible record – the kind of album that only Blue Note could put out, and an instant classic that will sound wonderful forever! The album's truly one of the great ones – one of those Blue Notes that still makes you stop and pause when you hear it, even though you've heard it a ... CD
Classic 60s soul jazz from Lou Donaldson – and one of the first albums that has him working with Grant Green on guitar and Baby Face Willette on organ! Both players were discovered by Lou and brought to New York for Blue Note – a move that not only helped give the Donaldson sound a ... CD
Drummer Brian Blade can be a hell of a percussive force when he wants to, but over the years he's maybe made even more of a contribution with records like this – sets that have him acting as a key creative force with a number of other great musicians – all at a richly collaborative ... CD
Featuring Ron Carter on bass, Stephen Scott on piano, Payton Crossley on drums, and Roger Squitero on percussion. Tracks include "Gone", "Seven Steps To Heaven", "Bags' Groove", "Bye Bye Blackbird", "Someday My Prince Will Come" and the Carter ... CD
Stunning! This is one of Jackie McLean's best-ever albums, and it's a haunting mix of hard bop and some of the more modernist tendencies that would inform his "new thing" period. Butch Warren plays bass, and he drives the set with an intensity that reminds us of Mingus – and which ... CD
A beautiful illustration of the strength of Ron Carter as a leader – that way he has of firmly directing a combo from the place of the bass, yet always in a subtle way that never overpowers the rest of the group! The balance here is wonderful – as Ron's tones really come through ... CD
An early 60s killer from Lou Donaldson – one that more than lives up to the promise of its great cover and compelling title! The lineup has Lou blowing in an easy, soulful style – working with a combo that includes Herman Foster on piano, Ben Tucker on bass, and Dave Bailey on drums ... CD
Charlie Hunter's back in a straight grooving mode – getting tight and funky in a set of tracks that features some guest vocals from the likes of Mos Def, Kurt Elling, and Norah Jones. Don't worry about Charlie losing control to the vocalists – because his guitar's still at the head of ... CD