This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The groundbreaking first album from Weather Report – a massive session that took fusion to a whole new level for the 70s! Most of the players here had been associated with Miles Davis at some point in the year or two beforehand – and Miles' electric work is definitely a starting point ... LP, Vinyl record album
One of our favorite albums ever from Weather Report – an album that has them picking up a bit more soul than before, and shaking off some of the experimental sounds of their roots – yet all in a way that still makes them one of the most revolutionary fusion combos of the time! There's ... LP, Vinyl record album
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip ... LP, Vinyl record album
A great collection of Miles' classic work for Columbia – one that features a few really hard to find gems! To us, the highlight is 2 tracks – "Stella By Starlight" and "On Green Dolphin Street" – both of which are subtle modal gems lifted from Miles' rare Jazz ... LP, Vinyl record album
Sweet electric keys from the great Bob James – a record that's a bit smoother than some of his first few classics for CTI, but still plenty darn nice! The set's got Bob working with a range of key fusion and studio players who include Steve Gadd, Earl Klugh, Eric Gale, Hubert Laws, Mongo ... LP, Vinyl record album
A masterful meeting of two 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over ... LP, Vinyl record album
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of ... LP, Vinyl record album
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in ... LP, Vinyl record album
A masterpiece from George Braith – one of the most unique sax players of the 60s! The album's a Blue Note classic in the Larry Young vein – with lots of free spiralling modal lines, and heavenly solos on organ, guitar, and reeds – the former of which are played by Billy Gardner ... LP, Vinyl record album
Quite possibly the greatest solo effort from saxophonist Harold Ouseley – a groovy electric funk album recorded with Neal Creque on keyboards and Jay Leonhart on bass – hitting these great rolling lines that give the record a different groove than usual! The sound is a bit like some ... LP, Vinyl record album