This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Features Blanchard on trumpet, Bruce Barth on piano, Chris Thomas on bass, Troy Davis on drums, and Jeanie Bryson on vocals. Tracks include "Detour Ahead", "In My Solitude", "I Cried For You", "Don't Explain", "Strange Fruit", "Lady Sings The ... CD
Really lovely work from guitarist Tal Farlow – recording here long after his famous Verve Records years, but still sounding great! The title refers to the mostly trio format of the date – a session that has Tal on hollow-body electric, Mike Nock on piano, and Lyn Christie on bass ... CD
The great Earl Hines, heard here in a really fresh setting for the 60s – a "new" trio that features Ahmed Abdul Malik on bass and Oliver Jackson on drums – both players whose modern energy really adds a lot to Hines' legendary work on piano! The meeting of generations is ... CD
A beautiful mid 50s issue of some of the classic material that Lester Young recorded with Count Basie during the late 30s – all nicely packaged with a great cover, and annotated in a way that offers a lot more information than the original release of the material on 78rpm discs! These are ... CD
Four sides of noisy, funky, stretched-out playing from Miles Davis – recorded at the Fillmore West, but with an intensity that matches some of Miles' crazy electric recordings from Japan during the early 70s! The music is a powerful blast of music that stretches out over the double-length ... CD
Louis takes on Fats Waller, with wonderful results! The group features vocals by Armstrong and Velma Middleton – plus work by Trummy Young on trombone and Barney Bigard on clarinet. CD includes 7 non-LP bonus tracks plus 4 more altenate takes – almost doubling the size of the original ... CD
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a ... CD
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-tim ... CD
Smooth as silk, with plenty of soul – a classic set that has the guitar of Eric Gale produced by the legendary Allen Toussaint! The cross of talents is pretty compelling – and although the album's not a New Orleans funk outing, it definitely shares some of the more creative elements ... CD
A wonderful return to the sounds of Brazil for Stan Getz – a 70s album that reunites him with Joao Gilberto, but in a style that's somewhat different than the pair's older Verve recordings! The sound here is looser, freer – more in that breezy Brazilian mode that evolved out of the ... CD