This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Mindblowing work from pianist Andrew Hill – one of the key records during that short initial run when Blue Note was really giving him a special showcase for his talents – and when the label was dabbling in more avant jazz as part of the "new thing" moment on the scene! The ... CD
Andrew Hill works mostly in a trio here – a great group with Rufus Reid on bass and Ben Riley on drums – but also gets some help from Clifford Jordan's tenor on a few tracks, which really makes the album stand out from other Hill dates of the time! The core group is already great ... CD
A wonderful comeback from the great Andrew Hill – a sweet return to the Blue Note label, after dropping off the recording scene a bit at the end of the 70s! Hill first rose to greatness on the label, and returns to the same here too – in a mode that echoes the edges of his "new ... CD
Insanely wonderful music from Andrew Hill – a lean, stripped-down session that has Hill working at his firey best – in a space that's somewhere between the "new thing" recordings of Jackie McLean, and the brooding brilliance of Andrew's later Smokestack session! The group ... CD
Mindblowing work from pianist Andrew Hill – one of the key records during that short initial run when Blue Note was really giving him a special showcase for his talents – and when the label was dabbling in more avant jazz as part of the "new thing" moment on the scene! The ... CD
Live performance with Fred Hersch on piano, John Herbert on bass, Eric McPherson on drums. Tracks include "Tristesse (for Paul Motian)", "Dream Of Monk", "Jackalope", "Lonely Woman/Nardis", and "Sartorial (for Ornette)". CD
Ben Allison on bass, Michael Blake on saxophones, Ted Nash on saxophones and flute, Tomas Ulrich on cello, Jeff Ballard on drums, Frank Kimbrough on piano, and Ron Horton on trumpet and flugelhorrn. CD
Genius – pure genius! Bobby Hutcherson's work for Blue Note is some of the most dramatic of any artist to ever record for the label. During his tenure there, he broke in doing some pivotal work in the "new thing" mode with players like Andrew Hill and Joe Henderson, next worked ... CD
Omar Sosa on piano, harmonium, marimba, vibraphone, turbular bells, percussion, sampler, and vocals, Paquito D'Rivera on clarinet, Dhafer Youssef on oud, Steve Arguelles on drums and scratches, Dieter Ilg on acoaustic bass, Renaud Pion on bass and contrabass clarinet, Philippe Foch on tabla and E ... CD
Forget the hokey cover and title, because this set is one of Harold Mabern's best of the 90s – delivered with that subtle soulfulness that's always made us love his piano work so much! There's a beautifully stripped-down sense of lyricism to the set – as Mabern's work on keys dances ... CD