This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Not quite the classic of the first two albums, but still dope all the way through, with Code Money on the turntables. Includes the title track, "No More Rock N' Roll", "Mr. Big Dick", and "Signifying Rapper", an adaptation of the traditional Signifying Monkey. CD
UTFO member Doctor Ice steps out on his own here, but still teams up with Full Force on the production side. 15 tracks in all, including "Everybody Git Funky", "Love Jones", "Sue Me!", "Brooklyn To LA", "Fever", "Feelin' Irie", "Word ... CD
Biz's second LP from 1989 – what can we tell you about the Biz that you don't already know? As far as we're concerned there are a lot of MCs that could still learn a lesson or two from the Biz, and producers too! Good time mid school hip hop, with nice sample based production and a great ... CD
In the universe of Kool Keith projects, this one is maybe closest to the Sex Style LP lyrically – but the production is better than both Sex Style and Dr Octagon. We're guessing the reason is that Kool Keith had more to do with the production on this one. There's more variety in the beats, ... CD
Time will tell whether the sophomore LP Late Registration will prove to be as revolutionary of a commercial force as College Dropout turned out to be – but it's a better album! We loved the debut as much as the rest of the world did, but this one's an easier listen from beginning to end. ... CD
Funky and psych-rock-soul instrumentals from the Beastie Boys – essentially working as a quintet for much of the set – with Money Mark on Rhodes and Farfisa, and Alfredo Ortiz on percussion! The Beasties manage to blend 70s soul, jazz, Latin and sound library style grooves with a ... CD
The epitome of crossover rap, but also a shining example of hoiw to do it well, from the era before hip hop held it's own on the charts against commercial R&B. Produced by Teddy Riley the hit "Overweight Lover In The House" plus "Money Earnin' Mount Vernon", "Here We ... CD
Skaters, disco freaks and hip hoppers unite on this monster compilation featuring killer old school rap and boogie cuts – all produced by the legendary Peter Brown! The set reissues some of the legendary Big Break Rapper party LP originally issued on Brown's Queen Constance imprint, but ... CD
A wonderful return to form for drummer Art Taylor – and a set that crackles with the same sense of soul and fire as his legendary 50s work for Blue Note and Prestige! Taylor's working here in an open-ended hardbop mode that makes the most of the live setting of the record – and which ... CD
Rare work by Hammond organ giant Big John Patton – recorded in 1968, but never issued until 1995, and even then, only briefly! The record features Patton at his finest – stretching out from his basic soul jazz roots, into a more searching use of the organ that's undoubtedly influenced ... CD