This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Soulful brilliance from Woody Shaw – a searing live set that matches the power of earlier classics like Moontrane and Blackstone Legacy! The album's got Woody working with a heck of a great group – Carter Jefferson on tenor and soprano sax, Onaje Allan Gumbs on piano, Clint Houston on ... CD
Woody Shaw's debut for Columbia Records – and easily one of the most soulful major label jazz sessions of the 70s! The album's a beautiful summation of all that Shaw had done in the years before – his soaring, searing lines that first came to play as a sidemen for others, then took new ... CD
One of the greatest contributions made by the 32 Jazz label so far has been the rich amount of classic Roland Kirk material they've released on the market. The best of Kirk's work has been out of print for years, and like the folks at 32 Jazz, we think that's a darn shame – which is why we're ... CD
A great mid 70s session from keyboardist Sonny Phillips – very different than his early work! Although Sonny was one of the funky organ players to record for Prestige during the classic jazz funk years, by the time of this recording, he'd emerged as a more spiritual talent, with a looser, ... CD
Although the Muse label had a reputation for doing mostly straight ahead sessions, they did manage to come up with some great avant ones, thanks mainly to the production work of Michael Cuscuna. Here, percussionist Barry Altschul is joined by his old Circle bandmate Dave Holland, and free-thinking ... CD
A well crafted set of tunes – both modern and soulful, in keeping with the rich talents of James Spaulding! The album sports a stupid title, but it's actually a thoughtful batch of tracks dedicated to African American achievement and expression – featuring Spaulding on alto sax and ... CD
Great straight work from the legendary Sonny Stitt – recording here in a mode that's different than his funky sides of the time – and a lot more back to basics! The group's a quintet – as Sonny blows both tenor and alto, with help from Joe Newman on trumpet, Duke Jordan on piano, ... CD
Great later work from Sonny Criss – very much in the format of his late 60s work for Prestige, but with an approach that's perhaps a bit more open-ended overall! The vibe here is laidback and soulful – Sonny blowing alto sax in that wonderful, all-his-own sort of tone – a sound ... CD
Wallace Roney on trumpet, Antoine Roney and Ravi Coltrane on tenor saxophone, Geri Allen on piano, Clarence Seay on bass, and Eric Allen on drums – plus Steve Berrios, Steve Thornton and Valtinho Anastacio on percussion – and strings arranged and conducted by Gil Goldstein. CD
Warmly wonderful work from guitarist Larry Coryell – an album that's got a simple, straightforward feel – and a rock-solid rhythm section in the form of Stanley Cowell on piano, Buster Williams on bass, and Beaver Harris on drums! Despite the far-reaching resumes of all the players, ... CD
Some of the last work that Sonny Stitt ever recorded – and a rock-solid return to straight, acoustic work – material that has him blowing both alto and tenor, in two different groups! The first is a quartet with Junior Mance on piano, George Duvivier on bass, and Jimmy Cobb on drums ... CD
An excellent overview of the early Wallace Roney work for Muse Records – brilliant sessions that helped Roney redefine the sound of the trumpet for a whole new generation! Roney's sound was one of the boldest, brightest on the label – and on records like this he really shines – ... CD