This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Andre Previn's got some very hip pals here – drummer Shelly Manne and bassist Red Mitchell – both frequent partners during the late 50s, especially on this classic run of jazz-Broadway records for Contemporary! The spirit here is very much like that of the famous My Fair Lady date made ... CD
A monster – and Charles Earland's second album for Prestige, the follow-up to his groundbreaking Black Talk album! This set's as great as that classic set – a tight batch of groovers that features Earland's Hammond work right out front, grooving away in a soaring, exploratory style ... CD
Guitarist Charlie Byrd was one of the first American players to record bossa nova tunes – but although his work with Stan Getz has always been well-documented, some of the titles under his own name can be quite hard to come by. This is one of the best ones that Charlie cut on his own – ... CD
The title and cover are an homage to the Pacific Jazz label live dates from LA in the 50s – and the music here does a good job of following suit as well! Altoist Bud Shank and trumpeter Shorty Rogers are reunited beautifully in an open-ended live setting – the kind of date that really ... CD
5 hard to get numbers by alto genius Criss from an obscure 1951 date at the Shrine Auditorium – with a slightly largeish group that includes Bennie Green, Joe Newman, Eddie Lockjaw Davis, and Kenny Clarke. Nice lengthy takes in this lost set of include "Intermission Riff", "How ... CD
One of Bobby Timmons' most obscure trio sessions from the early years – recorded at the tail end of the Riverside years, which is probably why the album disappeared so quickly! The set's in a similar format to some of Bobby's other records for Riverside – a trio set with either Sam ... CD
A wicked bit of 70s funky fusion from Dizzy Gillespie – recorded with his old piano player from the 60s, Lalo Schifrin! Lalo arranged, conducted, and plays plenty of keyboards – giving the album a wicked groove that's a bit different than some of Dizzy's other 70s work – a bit ... CD
A great set that brings together 2 live albums from organist Charles Earland! Live At The Lighthouse is a real killer – with that tight jazzy groove that Earland had on his first few albums for Prestige, a mix of jazz funk and soul jazz, handled with an incredible touch on the organ! The ... CD