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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
(Rainbow label stereo pressing. Cover has ring and edge wear, discoloration from age, split top seam held with yellowed clear tape, splitting in the bottom seam, and some stains in back.)LP, Vinyl record album
Early work from Yma Sumac – with that moody mix of other worldly vocals and semi-Latin instrumentation that made her a popular one with the early exotic crowd. Yma runs up and down the vocal scale, while Moises Vivanco leads the band in a set of crashing dramatic orchestrations with a ... LP, Vinyl record album
Capitol 12" LP that features work from 2 earlier Yma Sumac 10" LPs – Voice of The Xtabay and Inca Taqui. Voice Of The Xtabay is one of her earliest Capitol albums, with classic arrangements by Les Baxter, of material that was written by Yma's Partner Moises Vivanco. Titles include ... LP, Vinyl record album
Quite possibly our favorite album ever by the enigmatic Yma Sumac – thanks to some lively arrangements by Billy May, who gives the set a swinging jazzy groove! As you might guess from the cover, the style here is more in a Latin jazz mode than some of Yma's other more ethereal work – ... LP, Vinyl record album
Goofy "18th Century" jazziness, played by a tight west coast studio sextet that features Shelly Mann, Milt Raskin, Harry Klee, and Jack Marshall on guitar. The tracks are jazz standards, but they're given a sort of plucked sound, and layed out with some sort of stepping classical grooves. ... LP, Vinyl record album
French arranger/composer Michel Colombier was responsible for some incredibly beautiful and nicely funky baroque easy recordings during the late 60s. This album has him working in America, bringing his unusual style to the A&M studios, and working with Herb Albert to realize a new level of pop ... LP, Vinyl record album
Steve Philips may not be the most exciting organ player in the world – but the album's got a very young Mary Tyler Moore posing on the cover, which is pretty darn cool! LP, Vinyl record album
One of the weirdest Beatle-related projects of the 60s – and one of the most abstract, as well! The album's got kind of an odd concept – in that it purports to be a rediscovery of rare baroque music roots of famous Beatle tunes by Lennon & McCartney – recorded with offbeat ... LP, Vinyl record album