This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it' ... CD
At the end of the 60s, Milt Jackson and Ray Brown cut some very groovy records together – teamed up in a great pairing of styles that pushed both of them way past the more standard sounds of earlier years! This album's one of the best of the bunch – as it features pianist Monty ... CD
One of the more unusual albums on Impulse – and a beautiful session that's filled with surprises you wouldn't expect! Elvin Jones leads a group of well-chosen bandmates in a hip set of tracks that's sort of a "letter" to Coltrane – with groupings that include either Roland ... CD
Fantastic – and an important early album from Quincy Jones! Q's working here in some of his hippest settings of the 50s – scoring longish versions of jazz tunes for groups that include players like Lucky Thompson on tenor, Herbie Mann on flute, Art Farmer on trumpet, Phil Woods and ... CD
McCoy Tyner's definitely "reaching forth" here – stretching past obvious piano trio modes, thanks to hip help from Henry Grimes on bass and Roy Haynes on drums! The groove is very open and freewheeling – yet all without being avant or outside – those hip modal-inspired ... CD
An amazingly unique little group – one that kind of stepped in the Impulse Records back door from the Coltrane galaxy, but which features some very unique aspects overall! As the cover states, the ensemble's led by bassist Jimmy Garrison and drummer Elvin Jones – and also features ... CD
Fantastic – and one of Mingus' greatest albums ever! This one ranks right up with The Clown and Pithecantropus Erectus for sheer raw power and emotion – and Mingus' writing here is incredibly tight, giving soloists like Charlie Mariano, Jaki Byard, Richard Williams, and Jerome ... CD
A very soulful set of big band material from Quincy Jones – recorded during that tight early 60s period when his arrangements just couldn't fail! The album's his only session for Impulse, and it's got a slightly deeper style than his work from the time for Mercury – a bit more ... CD
Music from Gato Barbieri, Count Basie, John Coltrane, Duke Ellington, Gil Evans, Chico Hamilton, Johnny Hartman, Coleman Hawkins, Freddie Hubbard, Keith Jarrett, Yusef Lateef, Charles Mingus, Oliver Nelson & more. CD
A key later album from alto saxophonist Benny Carter – one that has him at the helm of a largeish group, but playing with a nicely focused sort of groove! In addition to Benny's alto, the record also features tenor sax from Charlie Rouse and Coleman Hawkins, plus one more alto from Phil ... CD
A very hip little session from a young Jan Hammer – recording here with a great lesser-known German saxophonist! The session's a live date from the late 60s – recorded at the legendary Domicile nightclub in Germany, in a rolling wave of soul jazz and hardbop modes – plus a few ... CD