This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Includes the songs "The Way You Look Tonight", "C-Jam Blues", "The Man I Love", "To Harry From Family - "Ladies And Gentlemen"", "To Harry From Family - "Improvising"", "Embraceable You", "Body & Soul", ... CD
Sublime late live work from Bill Evans – a well-recorded performance for French radio, and one that really stands out from some of the scratchier late 70s concerts on the market! Bill's working here with a sound as sensitive and picturesque as the cover image – never pushing things too ... CD
Includes the albums New Jazz Conceptions, Everybody Digs Bill Evans, The Ivory Hunters, Portrait In Jazz, Explorations, Sunday At The Village Vanguard, Waltz For Debby, Undercurrent, Moon Beams, Interplay, Empathy, and How My Heart Sings. CD
Sublime late live work from Bill Evans – a well-recorded performance for French radio, and one that really stands out from some of the scratchier late 70s concerts on the market! Bill's working here with a sound as sensitive and picturesque as the cover image – never pushing things too ... CD
Bill Evans on paino, Michael Moore on bass, and Philly Joe Jones on drums. Tracks include "Gary's Theme", "Emily", "The Peacocks", "How My Heart Sings", "Song From M*A*S*H", and "Re: Person I Knew". CD
Lost Bill Evans material from his tremendous early run on Riverside Records – sessions recorded in 1959, but unreleased to the public for many years! The core of the record features Evans working with Paul Chambers on bass and Philly Joe Jones both rhythm players that Bill interacted with ... CD
Sublime late live work from Bill Evans – a well-recorded performance for French radio, and one that really stands out from some of the scratchier late 70s concerts on the market! Bill's working here with a sound as sensitive and picturesque as the cover image – never pushing things too ... CD
A great live date from Bill Evans – one of his essential sides of the 70s, even if you've already got a bunch of other Evans live material! We know what you're thinking: "Do I have this one? Seems to be a lot of tunes here that I've got on other Evans recordings." But take it ... CD
The complete Riverside recordings! Complete! That's 12 CDs worth of Bill Evans, documenting some of the finest performances he ever recorded. As you'd expect, there's quite a lot of trio sides presented here, including the great group featuring Scott LaFaro and Paul Motian, but there's also a ... CD
A very hip set from Bill Evans' second trio – the legendary lineup that featured Chuck Israels on bass and Paul Motian on drums! Both players bring Evans' sound to an even greater level of spaciousness – allowing for lyrical interplay that's completely amazing, and even furthers the ... CD
An nice lost session by modernist George Russell – recorded in New York in 1960, with one of his more obscure groups of the time. The set was originally recorded for the Decca label, as one of Russell's few LPs for the imprint – and like the others, it's got a fresh, unacademic tone ... CD
A beautiful set of tracks that features Art Farmer soloing on flugelhorn over larger arrangements by Oliver Nelson. Farmer's work on the instrument was just taking shape at this point in his career, and the soulful backings of Nelson are a really great match for his lyrical tone, and widening ... CD