This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Amazing work from Freddie Hubbard – one of his best albums ever! The title cut's a classic, but all cuts on the album are great – and really set a whole new standard for soul jazz in the 70s! Unlike the freer runs of Miles Davis, Freddie takes things into territory here that's open, ... CD
A killer set from Freddie Hubbard's legendary years on CTI! Like the classic Red Clay album, there's 4 tunes here, all longer cuts – where everyone gets a chance to stretch out a bit, over smooth (but not too smooth!) electric grooves, supported by great orchestrations from Don Sebesky! Ron ... CD
With Stanley Turrentine or Ralph Moore on tenor, George Benson on guitar, and Larry Willis on electric piano. Titles include "Battlescar Galorica", "Saint's Homecoming Song", "Melting Pot", and "Life Flight". CD
An amazing second CTI set from Freddie Hubbard – one that takes off nicely from Red Clay territory, and starts to hit an even funkier mode! The tracks here are all relatively long, with a huge amount of solo space for Freddie on trumpet, Joe Henderson on tenor, George Benson on guitar, and ... CD
The Hawk, in prime late form, lays down some beautiful tenor solos over gentle bossa nova accompaniment – working in a mode that's much more satisfying than just a "classic player meets bossa" session, angularly crafting the solos with that dark edge that he had in all of his later ... CD
One of the first big moments of Albert Ayler's work in the jazz mainstream – and a record that doesn't dim his greatness at all from the earlier sides recorded for ESP! The album's got a sharply angular sound that more than lives up to its vibrant cover image – a well-honed approach to ... CD
A seminal meeting of the old and new generations of jazz – put together in perfect Impulse fashion! At some level, this is actually a Coltrane Quartet album, with Duke sitting in for McCoy Tyner – as that's the lineup on about half of the album, tracks that feature Coltrane, Elvin ... CD
A brilliant album of Latiny grooves from Diz! The disc takes off from the soulful/modal mood of the early 60s groups with Lalo Schifrin and Kenny Barron – and features a young Mike Longo crafting some fantastic lines on piano, stretched out over tight rhythms on electric bass and drums, with ... CD
One of the most free-wheeling Sonny Rollins albums of the 60s – an album that features some very long, extended tracks that really break out from some of the straighter moments of Sonny's mid-60s recordings! The title track is an incredible 20 minute workout – one that almost feels ... CD
A surprisingly enchanting album of piano work from Charles Mingus – one of a few he cut on the instrument, and quite different than his regular work on bass! Unlike the bold, angry role that Mingus would take on as a leader, the approach here is very personal and introspective – long ... CD