This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Dizzy Gillespie , Dave Burns, Elmon Wright, Johnny Lynch, and Talib Dawud on trumpet, Milt Jackson on vibraphone, Howard Johnson and John Brown on alto saxophone, Sol Moore on baritone saxophone, Ray Brown on bass, Kenny Clarke on drums, Thelonious Monk on piano, James Moody and Ray Abrams on tenor ... CD
Outstanding Dizzy Gillespie material – from one of his most overlooked periods! The time is the mid 60s, and after a few years of working with Lalo Schifrin in his group, Dizzy's changed his Latin bag from hard-edged Cubop to mellower more complicated Bossa and modal jazz. The result is ... CD
With Junior Mance on piano, Peter Washington on bass, and Kenny Washington on durms – plus guest trumpeters Wynton Marsalis, Wallace Roney, Doc Cheatham, Claudio Roditi, and Red Rodney on flugelhorn. CD
A legendary bit of cubop! Diz is playing here with the band that virtually invented Latin Jazz – the one that featured Chano Pozo on conga, plus great soloists like James Moody and Ernie Henry – all blowing beautifully in a style that's one of the most perfect realizations of the cubop ... CD
One of Dizzy Gillespie's finest Afro-Cuban moments! The material on this album has been issued under a few different titles over the years, but this is the late 50s Manteca package – the one that features a beautiful cool orange cover, and a title that really gets at the Latin influences in ... CD
A nice introduction to one of the hippest big bands of the 70s – a duo who did for the jazz ensemble mode in their decade what Kenny Clarke and Francy Boland did in the 60s! Tracks include "Studio J", "Quadrille, Anyone", "Kogun", "First Night", and ... CD
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the ... CD
Tight big band work from Shorty Rogers – cut a few years after his early LA sides for RCA, but in a very similar mode. The tracks are slightly longer than usual, and it's stunning how many players get to solo on each track. Most only get a few bars, but they make more than enough with the ... CD
Very hip early work from George Russell – a set that's maybe not as high-concept as some of his later records, but which still has a strikingly modern vibe! Russell's trying out some of his new tonal ideas here – and has a group that's very well-chosen for the project – with Art ... CD