About Product Images
This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.![Enlarge](javascript:show_product_image("https://cdn1.dustygroove.org/images/products/m/mccann_les~_comment~~_101b.jpg"); "View larger image")
Comment
CD (Item 489376) Atlantic/Collectables, 1970 — Condition: Used
Related searches
A very hip record of vocal tracks – done in the same sort of spiritual soul style that Les introduced on Roberta Flack's first album, and which was also showing up on some of Donny Hathaway's work for Atlantic. While the record is not on of McCann's funkiest, it more than makes up for that with the well-conceived vocal performances – especially on the tracks that feature arrangements by William S Fischer. Titles include "What I Call Soul", "How Many Broken Wings", "Can't We Be Strangers Again", "Comment", and "Baby Baby". © 1996-2024, Dusty Groove, Inc.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.
You might be interested
Les McCann
Invitation To Openness (with bonus track)Atlantic/Omnivore, 1972. Used
Wild electric work from Les McCann – an album of free, open sounds that's quite a change from his styles of the 60s – and from most of his other work of the 70s too! Side one features an extended 26 minute track titled "The Lovers" – a slow-building number that has Les ... CD
Les McCann
Invitation To Openness (with bonus track)Atlantic/Omnivore, 1972. Used
Wild electric work from Les McCann – an album of free, open sounds that's quite a change from his styles of the 60s – and from most of his other work of the 70s too! Side one features an extended 26 minute track titled "The Lovers" – a slow-building number that has Les ... CD
Les McCann
Pretty LadyPacific Jazz (Japan), 1961. Used
A pretty great set from Les McCann – and quite a bit different than some of his other work of the time! This one's sub-billed as "the ballad style of Les McCann" – but it features Les playing these laidback, mellow numbers that are way different than most jazz ballads of the ... CD
Charles Mingus
Blues & RootsAtlantic, 1960. Used
One of Mingus' classic sessions from the middle period – a legendary blending of jazz with bluesy gospel touches, in a mode that seemed to move away from the politics of some of the late 50s years, and open up his work to a whole new audience! The band is an all-star ensemble all the way ... CD
Yusef Lateef
Blue Yusef LateefAtlantic/Label M, 1968. Used
One of our favorite Atlantic albums by the great Yusef Lateef – an incredible session that has him dipping back into his earlier exotic roots with those great reed styles of the early 60s – yet also hitting a mix of soul and funk like some of his other albums from the time! The sound ... CD
Yusef Lateef
Blue Yusef LateefAtlantic/Label M, 1968. Used
One of our favorite Atlantic albums by the great Yusef Lateef – an incredible session that has him dipping back into his earlier exotic roots with those great reed styles of the early 60s – yet also hitting a mix of soul and funk like some of his other albums from the time! The sound ... CD
Gary Burton
Alone At LastAtlantic/32 Jazz, 1971. Used
A mixed bag of tracks from Gary – but a really nice record overall, one that has him stretching out in the Atlantic years! 3 of the album's tracks were recorded live in Montreux, the others were recorded back in New York – and Gary plays a variety of instruments in addition to vibes, ... CD
Gary Burton
Alone At LastAtlantic/32 Jazz, 1971. Used
A mixed bag of tracks from Gary – but a really nice record overall, one that has him stretching out in the Atlantic years! 3 of the album's tracks were recorded live in Montreux, the others were recorded back in New York – and Gary plays a variety of instruments in addition to vibes, ... CD
James Carter
Chasin' The GypsyAtlantic, 2000. Used
Saxophonist James Carter dips into the Django Reinhardt songbook with help from Regina Carter on violin, Jay Berliner on steel string guitar, Romero Lubambo on nylon string guitar, Charlie Giordano on accordian, Steve Kirby on bass, Joey Baron on drums, and percussion wild man Cyro Baptisto. CD
James Carter
In Carterian FashionAtlantic, 1998. Used
James Carter plays baritone, tenor, soprano sax, and bass clarinet – with a group that features Craig Taborn and Cyrus Chestnut on organ. CD
Atlantic/Rhino, 1960. Used
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the ... CD
Atlantic/Rhino, 1960. Used
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the ... CD
