This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A nice little album of soul jazz organ tracks by Jack McDuff, and proof that he was always still burning strong! Unlike other Hammond players, who got a bit sloppy in later years, McDuff always kept things interesting, and managed to come up with some creative arrangements and soulful solos that ... CD
A Heavy Hitter from tenorist Eddie Lockjaw Davis – recorded a bit late in his career, but with a sound that's mighty nice – and every bit as great as some of his 60s recordings for Prestige! The combo's small, swinging, and soulful – Albert Dailey on piano, George Duvivier on ... CD
An early album as a leader from the great Roy Ayers – a set that captures the vibes man at a time when he'd been working on the west coast soul jazz scene, and was stepping into even greater fame in the group of Herbie Mann! Yet this set is definitely Roy's own – kind of an ... CD
In our opinion, Jack McDuff never made a bad album – and this excellent later session is proof of that statement! The album's got a horrible cover – we'll state that from the start – but it's still a great batch of soul jazz organ tracks, played tightly by McDuff, with a group ... CD
A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings ... CD
A 2 CD set that features two of the more enigmatic Atlantic Records jazz sides from the 70s! Case Of The 3 Sided Dream is a great 70s album by Roland Kirk – one that features him working on a lot of short tracks, in a pretty crazy style! A number of the tracks feature Kirk's uniquely quirky ... CD
One of Woody's last albums – a back to basics set, recorded with a group that include Kenny Garret on alto sax, Kenny Barron on piano, and guest guitar work on one track by Peter Leitch. The approach is straight modal hardbop – in the spirit of Woody's first recordings for Muse – ... CD
2 CD set that brings together 2 long out of print Muse albums by the late soulful trumpeter Woody Shaw. Both records are great, and are a very nice blend of Shaw's modernist side and soul jazz roots. Players include Ronnie Matthews, Cecil McBee, Frank Foster, Muhal Richard Abrams, Louis Hayes, ... CD
A groundbreaking album from Sonny Rollins, largely for the extended track "Tenor Madness", which runs on for 13 minutes, and features him and Coltrane blowing head to head – redefining the sound of the tenor sax in jazz through the course of that amazing track! Backing is by the ... CD