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Free In America

LP (Item 48923) Arista, 1976 — Condition: Near Mint-

A bit smoother than Ben's earlier albums – but a great little set all the way through – and about as classic as you can get for Sidran in the 70s! The album's got a bit more soul in the mix, but still has some jazzy elements in the backings – and where things were sometimes messed up in the past, they're much more straightforward here – in ways that make the record really sparkle nicely! Ben's voice is still really compelling, and as on his best albums, there's some nice funky grooves in the mix that keep things fresh. Players include Phil Upchurch on bass and guitar, Woody Shaw on trumpet, David Newman and Sonny Seals on saxes, and Richard Tee on organ. Titles include the great instrumental "Let's Make A Deal" – a fast groover with guitar and keyboards riffing away, sounding like some lost jazz funk gem from the Fantasy Records catalog – plus "Beg For It", "Cuban Connection", "Free In America", "New York State Of Mind", and "Feel Your Groove".  © 1996-2020, Dusty Groove, Inc.
(White label promo. Cover has a cutout hole.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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