This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Charlie Parker may live again in the title of this set – but given the strengths of the group, the album would be great even without a reference to Bird! The setting's a bop one, as you'd guess – but there's also a lot more going on here too, given that some of the tunes are longer and ... LP, Vinyl record album
A lovely record from Woody – one of his excellent and understated sides from the early 80s, recorded with a quartet that includes Cedar Walton on piano, Buster Williams on bass, and Victor Jones on drums. The tunes are mostly standards, but they're handled with a soulful depth that really ... LP, Vinyl record album
A great little session of soul jazz – and very much in a classic mode, but with touches of the Strata East sound of the 70s. Although Blue Note and Prestige had seemed to abandon straighter soul jazz by the early 70s, Muse was cranking out some nice sides with older players of the 60s scene. ... LP, Vinyl record album
A Heavy Hitter from tenorist Eddie Lockjaw Davis – recorded a bit late in his career, but with a sound that's mighty nice – and every bit as great as some of his 60s recordings for Prestige! The combo's small, swinging, and soulful – Albert Dailey on piano, George Duvivier on ... LP, Vinyl record album
With Hank Crawford on alto, Howard Johnson on baritone, Charlie Miller on trumpet, Larry Willis on piano, and Steve Nelson on vibes! Newman plays flute, sorpano, alto, and tenor. LP, Vinyl record album
With Cecil Bridgewater on trumpet and Stan Hope on piano – on titles that include "Only Trust Your Heart", "Almost Like Being In Love", "Everything Happens To Me", and "Just For You". LP, Vinyl record album
Rare sides by the Clarke Boland ensemble – recorded by Gigi Campi in 1967 in Prague, and licensed to Muse in the mid 70s. The group's at their finest here – with some searing soloists like Johnny Griffin, Tony Coe, Sahib Shihab, and Ronnie Scott cutting it hard hard hard throughout. ... LP, Vinyl record album
A monster – and quite possibly one of the greatest Fender Rhodes albums of all time! Bob James is really at the height of his powers here – stepping out with a sound that's a lot smoother than some of his earlier work, yet in a groove that's never too slick or too overproduced – ... LP, Vinyl record album