This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
(Out of print. Slipcover has sticker residue on the bottom and some wear in one corner.)
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of a handful of crucial early Aretha Franklin albums for Atlantic – and a key example of her genius pairing with arranger Arif Mardin! Instrumental backing is by a hard burning Memphis/Muscle Shoals lineup that includes Spooner Oldham on electric piano and organ, Tommy Cogbill on guitar, ... CD
Sure, they were hitmakers – but we love these guys, and find them to be one of the most radical vocal groups of all time! Under the impeccable guidance of Lieber & Stoller, the group recorded some of the fiercest vocal numbers of the 50s – mixing incredibly soulful vocals with an ... CD
A huge album for Patrice Rushen – thanks largely to the track "Forget Me Nots", which is a perfect blend of jazz and soul, in that warm sweet style she was forging after her early days as more of a fusion artist. The rest of the album's every bit as great – and the ... CD
The second album by this gospel-cum-soul group – as great a batch of harmony tracks as you could hope to find at the end of the 80s! The group's strong sextet harmony style is almost as wonderful as on the first album – tocuhed with a bit of religion, but mostly in a positive, ... CD
16 of Otis Redding's best numbers, pulled together out of the Stax vaults after Atlantic had more or less completely taken over the Memphis label. Includes "I Can't Turn You Loose", "I've Been Loving You Too Long", "Fa-Fa-Fa-Fa-Fa (Sad Song)", "Try A Little ... CD
One of the best Stevie Wonder albums ever! Stevie's moving into god-like territory here – handling a multitude of styles, all well, and crafting some of the most sophisticated soul of his generation. The album's got the same jazzy references you'll find on the best work by Donny Hathaway ... CD