This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of Charles Mingus' excellent albums for the Bethlehem label – recorded during that magical year of 1957, a real turning point in his career! There's a sharpness here to Mingus' musical vision that hadn't shown up in previous years – a refinement of ideas expressed for Savoy and ... CD
One of Dexter Gordon's proudest moments of the 50s – a rock-solid session for Bethlehem – easily one of the best-remembered hardbop sides from the label's California years! The album's got a relaxed, free-blown sound that's quite nice – with Dex in the lead on tenor, supported by ... CD
A really sparkling session from trumpeter Stu Williamson – one of a few great records he cut for the Bethlehem label in the 50s, and a set that's one of the cookingest from the company at the time! Stu's trumpet lines are already mighty nice – tight, and often a bit bolder than others ... CD
We've always loved the music of Logan Richardson, but here he's onto something completely new and groundbreaking – as you might begin to guess from the cover and title! Logan still blows alto sax, but he also handles piano and keyboards, and works in this swirling mix of sound that really ... CD
Ramsey Lewis and Nancy Wilson – two key soulful talents from the 60s, working together beautifully here in a mid 80s set! The album's almost more Randy's than it is Nancy's given that Lewis takes a few tunes instrumentally, working in a blend of acoustic and electric instrumentation that's ... CD
Funky pianist Gene Harris had spent most of the 60s playing in a standard trio format with his group The Three Sounds – but by the time of this live set, the group was evolving into a monster jazz funk combo, and Harris was getting beautifully heavy handed in his approach to rhythm. This ... CD
Easily the crowning moment of genius for the legendary Dave Brubeck Quartet – the moment when all things came together magically, and the group somehow elevated themselves to a whole new level in jazz! At the time of the set, Brubeck, Paul Desmond, and the rest had already been making plenty ... CD
Maupin plays bass clarinet, tenor and soprano saxes, alto flute, and piano, and is accompanied by Darek Oleszkiewica on bass, Michael Stephans on drums and percussionist Daryl Munyungo Jackson. 14 numbers in all, including "Neophilia 2006", "Walter Bishop Jr", "Level ... CD
Airto's working with a bit of electronics here, but the album's still got plenty of greatness to offer – loads of Mr Moreira's trademark percussion, mixed in with with a bit of flutes, cuica, and keyboards too! The production has a somewhat ambitious feel – spreading Airto's sound out ... CD