This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A key example of the popularity of the Oscar Peterson Trio in the mid 60s – an album of tracks that listeners wanted to hear done in the group's familiar style – that wonderful way of soulful inflection that Oscar had when he shifted up the lineup of the trio at the start of the 60s! ... CD
Includes 2 dates recorded live at the Blue Note featuring Herb Ellis on guitar, Ray Brown on bass, and Bobby Durham on drums. The More I See You features Benny Carter on alto sax, Clark Terry on trumpet and flugelhorn, Ray Brown on bass, Lorne Lofsky on guitar, and Lewis Nash on drums. CD
The fourth in the MPS reissue series of long unreleased late 60s recordings from the home of producer/engineer Hans Georg Brunner-Schwer finds Oscar Peterson in a glorious solo piano mode! All of the recordings in the series were from very relaxed, loose sessions that were some of Peterson's ... CD
Cole Porter's tunes are great enough on their own, but Oscar really opens them up on this set – picking up the inherent rhythms in the numbers and really working them over – in a way that makes the outing one of the most lively in Peterson's songbook series for Verve! Oscar's fluid ... CD
One of Oscar Peterson's most sophisticated albums of the 60s – an extended suite of tracks dedicated to the soul and spirit of Canada! The tunes are all originals, and have a really lush, vivid sort of feel – one that still has undercurrents of Peterson's usual soulful style, but which ... CD
A baker's dozen, includes the songs "Laura", "It Ain't Necessarily So", "These Foolish Things (Remind Me Of You)", "You Go To My Head", "I Loves You Porgy (I Wants To Stay Here)", "Angel Eyes", "On The Sunny Side Of The Street", ... CD
Oscar's great connection here is with the rhythm team of Louis Hayes on drums and Niels Henning Orsted Pedersen on bass – both of whom bring in a nice degree of subtlety to the set, and make it one of Peterson's most gently-grooving albums for MPS! There's a warm, round quality to most of ... CD
One of the best albums that Al Cohn and Zoot Sims ever cut together – and that's saying a lot, given the strength of their collaborations during the 50s and 60s! The set's got a nice small group feeling, and is a bit more open and relaxed than some of their RCA material – still in the ... CD