This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... CD
The full story of Miles Davis at the Newport Jazz Festival in 1958 – an album that expands out the original half-album release of this material from the set that Miles shared with Thelonious Monk! The first half of the record features the three tracks that appeared on Miles & Monk At ... CD
Some of Miles noisiest, freest playing from the 70s – recorded live at Carnegie Hall in 1974, and originally issued only in Japan – most likely because the album was so darn noisy, Columbia was scared to release it to the American market! As with other Davis gems from this time, the ... CD
A session of "collectors items" that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny ... CD
A seminal 70s side from Miles Davis – originally a Japanese recording, and one that returns to the solid push of the initial electric years! The record's a completely cooking little session – one that mixes the raw, noisier styles of other Davis albums with a focus, funked-up energy ... CD
Amazing live documents of Miles Davis and his incredible mid-to-late 60s quintet – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – complete concert recordings from Antwerp, Copenhagen and Paris on 3CDs seeing release for the first time ... CD
Beautiful modernist work from Kenton – one of the first albums to cull his genius together as a whole, filled with the kind of tracks that perfectly sum up his unique approach at the time! If you've ever wondered what makes Kenton so great, this is the album to begin with – as it's ... CD
If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work ... CD