Tom Jobim : A Arte De Tom Jobim (CD) -- Dusty Groove is Chicago's Online Record Store
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A Arte De Tom Jobim

CD (Item 488250) Philips, 1960s/1970s — Condition: Used
Out Of Stock

CD

✈
An excellent double-length set that brings together some of Antonio Carlos Jobim's best work for the Philips and Verve labels, plus a few other nice rare bits! The set features work from records that were issued under Jobim's own name, plus tracks from records by Elis Regina, Astrud Gilberto, and Nelson Riddle – and the groove is a warm blend of bossa, jazz, and light orchestrations – of the sort that Jobim could craft better than anyone else! Titles include "Samba Do Avaio", "Surf Board", "Ana Luiza", "O Morro Nao Tem Vez", "Garota De Ipanema", "Vivo Sonhando", "Agua De Beber", "Insensatez", "Nuvens Douradas", and "Maitita Pere". 22 tracks in all!  © 1996-2024, Dusty Groove, Inc.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


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