This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A very cool late live set from Art Pepper – working in a killer quartet setting! Neon Art Vol 1 features two side-long pieces, recorded in January of '81, at Parnell's in Seattle – part of an excellent archive series of Art Pepper's work, done by his widow. Side one features a really ... CD
A double-length set of late genius from the great Art Pepper – a live performance from Tokyo, cut at a time when Pepper was really stretching out on his solos! The tunes are all quite long, with plenty of room for Art's inventive reed work – and the album also features some great ... CD
Rare work from Art Pepper – and some of his best material from later years, too – all packaged in a really unique little set! The brings together unreleased live gems from Pepper – all done with a great later group that features George Cables on piano, David Williams on bass, and ... CD
One of Art Pepper's most classic sets for Contemporary – a record that puts him in the company of the Miles Davis rhythm section – Jimmy Cobb on drums, Paul Chambers on bass, and Wynton Kelly on piano – who make up 3/5 of a quintet that also includes trumpeter Conte Candoli! The ... CD
A nice straight batch of tracks from Pepper – and a record that we like more than some of the more "classic" ones on Contemporary! The album's got quite a strange title – Smack Up, a very strange choice, given Pepper's well-known experience as a junkie – and features ... CD
Art Pepper's last concert on this planet – recorded at the Kool Jazz Festival in Washington in 1982 – well-recorded and beautifully played throughout! Art's working here with his regular rhythm section of David Williams on bass and Carl Burnett on drums – plus Roger Kellaway on ... CD
A double-length live set from Art Pepper – recorded quite late in his all-too-short life, but a really wonderful batch of material that shows he was still burning strong near the end! As with other Pepper material of this vintage, the tracks are all nice and long – very open and ... CD
One of the greatest West Coast jazz LPs of all time! Art Pepper plays beautiful spiralling alto lines with a tight quartet that includes Russ Freeman on piano, Chuck Flores on drums, and Ben Tucker on bass. The whole thing swings in a way that's tough to find on some of Pepper's other albums from ... CD
Collects 14 tracks recorded with Russ Freeman, Bud Shank, Pete Jolly, Shelly Manne, Red Mitchell, and others including "Someone To Watch Over Me", "This Is Always", "Let's Get Lost", "Moon Love", "Sweet Lorraine", and "I Fall In Love Too ... CD
That's "Heath", not "health" – as you might think the title's misspelled – as in Jimmy Heath, who arranged most of the numbers on the set! Heath's contribution is a good one too – as it helps Baker create one of his most tightly-wrapped albums of the time, a ... CD