This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A strong back to basics session for Nina, one that featured her piano and vocals only, a very spare approach that was markedly different from her work a few years previously for other labels. Nina's tone on the piano is incredible – and she's working with some striking modern jazz changes ... CD
A wonderful collection of Blossom's excellent early vocal work for Verve – some of the sweetest, grooviest jazz singing recorded at the time – in a style that other singers didn't pick up for years! Most tracks feature warmly jazz small combo backing – with Blossom's light and ... CD
Betty Carter recording with strings – one of her first recordings of the type in years, done for her own hip label! The session starts with Betty's core trio that includes Khalid Moss on piano, Curtis Lundy on bass, and Lewis Nash on drums – then adds in larger string arrangements by ... CD
A later tribute to Clifford Brown from Helen Merrill – the vocalist who worked famously with the late trumpeter in the 50s! The feel here is quite different than the Merrill/Brown pairings for Emarcy, but equally dark throughout – handled in a way that often has Merrill's vocals offset ... CD
Ella Fitzgerald joins the unbeatable late 50s team of Count Basie and Joe Williams – singing a bit of duets with Joe, and also letting him take the lead on his own! Players include Joe Newman and Thad Jones on trumpets, Frank Foster and Frank Wess on tenors, Freddie Greene on guitar, and ... CD