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We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
Lee Morgan on the hippest side of his 60s talents – working here in a style that's really stretching out, and in the same territory as similar unreleased gems from the time – like Tom Cat or Sonic Boom! The group here is very inventive – Jackie McLean on alto, Larry Willis on ... CD
One of the hardest to find of the early Lee Morgan albums on Blue Note – and a very lyrical batch of hardbop tracks, played with a slightly exotic flair! Morgan's group on the date features melodic modernists Benny Golson on tenor and Gigi Gryce on alto sax – both of whom push Morgan ... CD
A gem of an early album from Lee Morgan – quite different than his work as a leader for the Savoy label during the same period! Although Morgan's only a wee lad at the time, the album's got an incredible sense of warmth and imagination – one that's steeped in lessons learned from ... CD
Beautiful late work from Lee Morgan! The last five years of Lee's life saw him really stretching out to do some fantastic writing, playing, and leading – and this record stands today as one of the best examples of that period – a pure act of genius, with a sound that really takes off ... CD
An undisputed masterpiece by Lee Morgan – and one of the first records in which he shed his straight bop sensibility, and began evolving into a soulful genius for the 60s! The album's got 4 long tracks that all build beautifully – really extended numbers that break the format of some ... CD
A jazz classic if there ever was one – and the best-selling album ever by Lee Morgan, thanks to the use of the title track in a car commercial! Sure, you've probably heard "The Sidewinder" enough that you think you know the album already – but the rest of the tunes really ... CD
A very appropriate title for a very cooking little album – one of Lee Morgan's first efforts as a leader, cut back during his first years of late 50s fame! The style here is a bit less Morgan-esque than some of Lee's later 60s classics – but the record is rock-solid throughout, and ... CD
A very different album for Lee Morgan – especially in comparison with his other early sessions! The record is a gentle batch of ballads and standards, played by Morgan with a quartet that includes Sonny Clark on piano, Doug Watkins on bass, and Art Taylor on drums – all beautifully ... CD
One of Lee Morgan's most sparkling sessions from the early years – a record that already shows a sense of depth and imagination that would take Lee way beyond simple hardbop solo work! There's a sensitivity here that owes something of a debt to Clifford Brown, yet which is much more ... CD
A great Lee Morgan set – and one of his rarest! The album was recorded in 1967, but unissued until 1998, when Blue Note unveiled the material as part of its "standards" series that featured label players performing material not of their own composition. Unlike the other records in ... CD
A really great idea for a jazz session – one that takes the already-great Blue Note piano trio the Three Sounds, and uses them as a backup combo for the tenor of the great Stanley Turrentine! The approach is different than some of Stan's other work – given the piano of Gene Harris, ... CD
Fantastic lost material from Jackie McLean! The set was recorded right before his "new thing" era – in the same period as the amazing Fickle Sonance album. And like that one, this features Jackie edging out towards modernist ideas, yet still swinging hard and fierce, with a firey ... CD