This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A real breakout set from the young Joshua Redman – the kind of record that made some mighty big ripples in the jazz world at the time – and which ended up in more record collections than we can count – and for good reason, too! The group's a rock-solid quartet – with Redman ... CD
Essential set that brings together all of Herbie's key transitional recordings for Warner Brothers! Herbie started his years for the label playing in a more straight-ahead funky style – with perennial sample fave recordings like "Wiggle Waggle", "Fat Mama", and "Tell ... CD
The fantastic first album from David Sanborn – a lot more than you might expect if you only know him from later years! Sure, the record's tight – and yes, Sanborn was a crossover player from the start – but there's some great moments here, and the whole thing's got a lot more of ... CD
A super huge hit for George – the record that took him from being a funky jazz guitarist into an R&B superstar! The album features George playing and singing over arrangements by Claus Ogerman – some of Ogerman's best of the 70s, ones that mix together his trademark pillow of sound ... CD
Sublime late live work from Bill Evans – a well-recorded performance for French radio, and one that really stands out from some of the scratchier late 70s concerts on the market! Bill's working here with a sound as sensitive and picturesque as the cover image – never pushing things too ... CD
One of the first albums ever from ultra-cool flute man Jeremy Steig – a jazz album at its core, but one with some rock and folk elements as well! The instrumentation is heavy on Steig's funky flute – already blown here with that breathy quality that would come out even more strongly on ... CD
Saxophonist James Carter dips into the Django Reinhardt songbook with help from Regina Carter on violin, Jay Berliner on steel string guitar, Romero Lubambo on nylon string guitar, Charlie Giordano on accordian, Steve Kirby on bass, Joey Baron on drums, plus percussion wild man Cyro Baptisto. CD
Missouri has never sounded so beautiful before – and, in some ways, maybe neither have guitarist Pat Metheny and bassist Charlie Haden! The album's a real standout for both musicians during this time in their career – almost a back to basics with the kind of sound that they really put ... CD