This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
An Art Blakey double-header – two different groups, both recorded at the Chicago Jazz Festival in 1987! Blakey was still completely on fire well into the 80s – and CD1 documents a great performance with an excellent group of young Jazz Messengers, all players who'd go onto great fame ... CD
One of the best non-Blue Note sessions from Art Blakey in the 60s – a really searing set that features the sextet lineup of the Jazz Messengers – a group that's filled with legends who include Freddie Hubbard on trumpet, Wayne Shorter on tenor, Curtis Fuller on trombone, Reggie Workman ... CD
Late Art Blakey – but great Blakey too, as Art never faltered a minute in the later years of his life, and continued to work with some of the best younger players he could find! Here, Art's leading a lineup that includes Brian Lynch on trumpet, Frank Lacy and Steve Davis on trombone, Javon ... CD
A killer early album by Art Blakey and his first incarnation of The Messengers – recorded before Horace Silver left the group, and a rare non-Blue Note outing done for Columbia Records! The ensemble here features Donald Byrd on trumpet, Hank Mobley on tenor, and Doug Watkins on bass – ... CD
A really great later Blue Note session from Stanley Turrentine – a small combo set that's almost a return to the format of earlier years! The group's a strong one – and features Shirley Scott on organ, Jimmy Ponder on guitar, and Idris Muhammad on drums – playing in a style that's ... CD
One of the most wonderfully lyrical records ever cut for Blue Note! The amazing Thad Jones is in impeccable form here, leading a beautiful little quintet that has his warm trumpet paired with the soulful tenor of Billy Mitchell. The pair are perfect together, and move seamlessly through the ... CD
One of the two quartet sessions that Ornette cut for Blue Note in the late 60's – and tight mature work like the New York Is Now sides, recorded in the company of Dewey Redman and the Coltrane rhythm section of Jimmy Garrison and Elvin Jones, which offers a contrasting perspective to most of ... CD
An amazing transformation in jazz – the first 6 albums by Texas tenor giant Curtis Amy, packaged together in one box set! Amy had a deep gutsy sound that was similar to other Texas tenors coming out of the state during the postwar years – and initially, his first recordings in LA were ... CD
A wealth of work by one of the greatest organists ever – John Patton, aka Big John Patton, a key link between soul jazz and modal approaches to the Hammond! The set brings together some of the best albums Patton recorded for Blue Note – Along Came John, The Way I Feel, Oh Baby, That ... CD