This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Full throttle fusion from Billy Cobham, the kind of stuff we once winced at because of the really over the top moments of heavy, heavy jamming, but that we find ourselves more sympathetic to these days, probably for the more sublime moments that poke through the onslaught here and there, including ... CD
Two great lost titles from the Atlantic jazz catalog of the 60s! Horizons is a beautiful and oft-overlooked album of modal jazz tracks performed by Chicago jazz musician Ira Sullivan – who normally plays trumpet and tenor, but who also here shows his amazing talent on soprano sax. Sullivan ... CD
Music from Jimmy Yancey, Erroll Garner, -Art Blakey's Jazz Messengers with Thelonious Monk, John Lewis, Lennie Tristano, Ray Charles, Ray Bryant, Junior Mance, the Mitchell-Ruff Trio featuring Charlie Smith, Les McCann, Joe Zawinul, Keith Jarrett & Chick Corea. CD
One of Shelly Manne's best records of the 60s – largely because the group's so great! Altoist Frank Strozier was playing with Shelly at the time, and his rich talents on the alto make the record almost worth seeking out for him alone – because here, Strozier's opening up his sound a ... CD
Mellow is a warmly laidback album, but one with more than enough sense of variety and depth to ever keep it from being too mellow overall! Herbie Mann's stepping out past the disco years here with a nice sense of variety – a style that avoids some of the fusion cliches of the time, and ... CD
Two sides of late 60s Atlantic work by pianist Junior Mance – laid back to back on one CD. Harlem Lullaby is pop soul jazz work from Mance – who's playing here in a semi-traditional style that fits the evocative title of the album. Most of the cuts feature Mance in a trio – ... CD
A rare session of violin-led jazz – recorded for Atlantic Records in 1960! Harry Lookofsky may not be a famous name as a leader in jazz, but he scored strings for many pop and instrumental outings during the 60s – and he also has the distinction of being the father of one of the ... CD
The three or four shades of the blues here are all pretty darn deep – as Charles Mingus is returning to the soulful gospel-influenced mode he swung big in the early 60s! The record's something of a later predecessor of the classics Blues & Roots for Atlantic and Mingus (x5) for Impulse ... CD
A heck of a soul jazz treasure from the 60s – and one of the hardest-hitting jazz albums ever issued by the Atlantic Records label! The vibe here is almost more Prestige Records overall – with very gutbuckety work from Johnny Griffin on tenor and Matthew Gee on trombone – on ... CD
A real breakthrough album for George Duke – one of his earliest for the Epic label, and an album that took him from the space funk underground to the top of the jazz charts! The album's got a great sound that mixes together all of Duke's influences – Latin rhythms, electric keyboard ... CD