This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
An early 60s killer from Lou Donaldson – one that more than lives up to the promise of its great cover and compelling title! The lineup has Lou blowing in an easy, soulful style – working with a combo that includes Herman Foster on piano, Ben Tucker on bass, and Dave Bailey on drums ... CD
Quite an unusual Lou Donaldson album for Blue Note – much more open-ended than his other sets, with a really hard-jamming sort of sound! Unlike some of Donaldson's tighter dates of the time, which feature more bop-based, song-based shorter tunes – this one's more of a long-form blowing ... CD
Great early material from Lou Donaldson – with a hard-hitting bop sound missing from his later work! The tracks are short, raw, and lively – and filled with the kind of pre-hardbop soul that Donaldson was infusing into jazz, along with other players on the material – like Horace ... CD
Classic 60s soul jazz from Lou Donaldson – and one of the first albums that has him working with Grant Green on guitar and Baby Face Willette on organ! Both players were discovered by Lou and brought to New York for Blue Note – a move that not only helped give the Donaldson sound a ... CD
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing trumpet in a cool tone that's a ... CD
An unusual set for both Dexter and Blue Note – first, because the set was recorded in Europe (not at Rudy Van Gelder's), and second because the tracks are all quite long! The album was recorded in Paris – and is cut in an open-ended format that's very much in the mode that Gordon would ... CD
A brilliant album – and real turning point for Herbie Hancock! After first coming onto the scene as the soul jazz hero between Blue Note funky classics like "Watermelon Man" or "Blind Man, Blind Man" – Herbie emerges here as a concerned modernist with a strand of ... CD
Great stuff by Art Pepper – originally issued only on tape, and kind of lost in his catalog – and like many albums of his 50s work released after the fact, this one almost blows away some of his best known records! The material was recorded in 1957, and was only ever issued on pre-recor ... CD