This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A sweet mix of electric and acoustic modes – and a set that still has Michel Petrucciani spinning out those long, warm piano lines that brought him to global attention in the 80s! Adam Holzman adds some electric keys alongside Michel's work on Steinway – which rings out with a rich ... CD
A great lost album by John Patton – recorded in 1970, but not ever issued until 1995! The record was most likely held back because it's one of the funky organist's most far-reaching – a stunning batch of modal tracks that moves way past the usual organ sound, and much more into Larry ... CD
One of Stanley Turrentine's best albums ever – but a record that was recorded in 1962, yet only released by Blue Note 20 years later! The set's a great example of the sheer raw power that Stan had in his tone before it got watered down by his pop-jazz recordings of the later 60s – a ... CD
Funky genius from Lou Donaldson – one of his first funky albums for Blue Note, and a real killer all the way through! The album has a great young group working with Lou – players that include Blue Mitchell on trumpet, Lonnie Smith on organ, Leo Morris (aka Idris Muhammed) on drums, ... CD
Funky fusion doesn't get any funkier than this – and the album's one of the greatest 70s recordings by jazz funk trumpeter Eddie Henderson! The album's got a harder edge than a lot of Eddie's other records of the decade – razor sharp rhythms crackling away underneath a sublime space-hea ... CD
Tremendous work by Lee Morgan – easily one of his greatest albums, and a soaring session of modal energy that easily rivals the best work of the Impulse era! The album's got a slightly different feel than usual for Blue Note – a sense of freedom, joy, and soaring energy that's totally ... CD
A real watershed album from Horace Silver – a record that has him stepping strongly into the 70s – but with a rich new groove that's different both from his 60s work, and from the heavy politics of his United States series too! The album has Horace picking up a slightly electric sound, ... CD
Some of the freest, most far-reaching work that Sam Rivers ever cut for Blue Note – a set recorded in 1967, but not issued until nearly a decade later by the label! The album's a great precursor of some of the work that Sam would do later in the 70s – still somewhat in a "new ... CD
Wonderful work from reedman Byard Lancaster – a set of live recordings that fill in his all-too-spare catalog from the early 70s! The material here was recorded both in Boston and St Paul – and the tunes have a really flowing, open sort of energy – a musical vision first inspired ... CD
One of Lonnie Liston Smith's most spiritual sessions, and the record that most clearly shows his roots with Pharoah Sanders! The vibe here is much more jazz-based than on some of Lonnie's other records for Flying Dutchman – with Smith playing as much acoustic piano as he does electric, using ... CD